Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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52 psl.
... Rogozhin ; and in the latter case , there is the unsettling possibility that the Prince actually prompts Rogozhin's murderous instinct , especially in the dramatic epi- sode [ part 2 , chap . 5 ] where he do we say " deliberately ...
... Rogozhin ; and in the latter case , there is the unsettling possibility that the Prince actually prompts Rogozhin's murderous instinct , especially in the dramatic epi- sode [ part 2 , chap . 5 ] where he do we say " deliberately ...
54 psl.
... Rogozhin at some level . At the very least , the picture tantalizingly puts before us an image of Christ that is in Orthodox terms - no image at all , as if to alert us to the novel's central paradox , that the person who is presented ...
... Rogozhin at some level . At the very least , the picture tantalizingly puts before us an image of Christ that is in Orthodox terms - no image at all , as if to alert us to the novel's central paradox , that the person who is presented ...
156 psl.
... Rogozhin's response , the request to have this cross for his own , suggests that Myshkin is , not for the first or last time , being sentimentally unreal . The tin cross is a sign of responsibil- ity renounced . Myshkin's purchase of ...
... Rogozhin's response , the request to have this cross for his own , suggests that Myshkin is , not for the first or last time , being sentimentally unreal . The tin cross is a sign of responsibil- ity renounced . Myshkin's purchase of ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima