Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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... Orthodox Chris- tian as distinct from other people ; for one thing , practically everyone in his world is at least nominally Orthodox anyway . Nor is he inter- ested in depicting Orthodoxy . It was a gap in his writing that dismayed ...
... Orthodox Chris- tian as distinct from other people ; for one thing , practically everyone in his world is at least nominally Orthodox anyway . Nor is he inter- ested in depicting Orthodoxy . It was a gap in his writing that dismayed ...
37 psl.
... Orthodox critics that the whole ethos of Zosima's teaching and persona is less than properly Orthodox.25 We shall need to discuss Zosima's portrait more fully later on ; but in this context , too much should not be read into Alyosha's ...
... Orthodox critics that the whole ethos of Zosima's teaching and persona is less than properly Orthodox.25 We shall need to discuss Zosima's portrait more fully later on ; but in this context , too much should not be read into Alyosha's ...
212 psl.
... Orthodox commitment is being just how deliberately we cannot know marginalized.32 And even Zosima's own recollections represent " [ m ] inimal religious experience . . . chan- nelled through the Orthodox tradition , as though in a ...
... Orthodox commitment is being just how deliberately we cannot know marginalized.32 And even Zosima's own recollections represent " [ m ] inimal religious experience . . . chan- nelled through the Orthodox tradition , as though in a ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima