Dostoevsky: Language, Faith, and FictionRowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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He has no interest at all in the dilemmas of the Orthodox Christian as distinct from other people ; for one thing , practically everyone in his world is at least nominally Orthodox anyway . Nor is he inter ested in depicting Orthodoxy .
He has no interest at all in the dilemmas of the Orthodox Christian as distinct from other people ; for one thing , practically everyone in his world is at least nominally Orthodox anyway . Nor is he inter ested in depicting Orthodoxy .
189 psl.
5 SACRILEGE AND REVELATION The Broken Image AIN " I s we observed in the introduction to this book , the exact sense in which Dostoevsky could be called an Orthodox novelist is a teasing question , but there is no doubt that ...
5 SACRILEGE AND REVELATION The Broken Image AIN " I s we observed in the introduction to this book , the exact sense in which Dostoevsky could be called an Orthodox novelist is a teasing question , but there is no doubt that ...
212 psl.
30 Because the conflicts of the novels are not ( and cannot be ) resolved simply in the terms of the Orthodox Christian tradition , we are actually left as readers with an indeterminate invitation to faith , left in a semiotic space ...
30 Because the conflicts of the novels are not ( and cannot be ) resolved simply in the terms of the Orthodox Christian tradition , we are actually left as readers with an indeterminate invitation to faith , left in a semiotic space ...
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LibraryThing Review
Vartotojo apžvalga - zappa - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
LibraryThing Review
Vartotojo apžvalga - Michael_Godfrey - LibraryThingDensely written, Williams sometimes needs to trim his sentences from ten lines down to two or three to sustain clear meaning. It would be necessary, in order to do justice to his work however, to be ... Skaityti visą apžvalgą
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Pagrindiniai terminai ir frazės
accept action actual already Alyosha appears Bakhtin becomes believe chap chapter character Christ Christian claim clear commitment complex connection context continuing conversation create cross death decision Devil diabolical discussion divine Dostoevsky effect existence face fact faith father fiction figure final freedom future give given going happens holy human icon imagination important Inquisitor Ivan Ivan's Karamazov kind language later least less living look matter means mind moral murder Myshkin narrative nature never noted novel offer Orthodox person possible presented Press Problems Pyotr question reader reality reflection refusal relation religious represent responsibility Russian seems seen sense significant simply someone sort speak specific spiritual Stavrogin story suffering suggests tells theme theological things Tikhon tion true truth turns understanding University vision voice wants whole writing Zosima
Bibliografinė informacija
| Pavadinimas | Dostoevsky Language, Faith, and Fiction The making of the Christian imagination |
| Autorius | Rowan Williams |
| Leidimas | pakartotinai išspausdintas |
| Leidėjas | Continuum, 2008 |
| Originalas iš | Indianos universitetas |
| Pakeista skaitmenine forma | 25 spalio 2011 |
| ISBN | 1847064256, 9781847064257 |
| Ilgis | 290 psl. |
| Eksportuoti šaltinį | BiBTeX EndNote RefMan |