Dostoevsky: Language, Faith, and FictionContinuum, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex and most misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamazov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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31 psl.
... Christ go free . There is , it could be said , a tacit acceptance that Christ cannot be overcome by the Inquisitor's violence ; and although the Inquisitor commands Christ not to return , we have already , at the beginning of the narra ...
... Christ go free . There is , it could be said , a tacit acceptance that Christ cannot be overcome by the Inquisitor's violence ; and although the Inquisitor commands Christ not to return , we have already , at the beginning of the narra ...
33 psl.
... Christ is indeed truly human , and his humanity is manifest in the effects of his life and work upon human beings now . And so Alyosha's original point , that the incarnation somehow permits Christ to absolve on behalf of all , is not ...
... Christ is indeed truly human , and his humanity is manifest in the effects of his life and work upon human beings now . And so Alyosha's original point , that the incarnation somehow permits Christ to absolve on behalf of all , is not ...
34 psl.
... Christ , then you believe you will live eternally . " 20 Then there is the recognition that the ideal embodied in Christ is experi- enced as contrary to humanity's earthly nature ; our failure to sacrifice ourselves radically in love ...
... Christ , then you believe you will live eternally . " 20 Then there is the recognition that the ideal embodied in Christ is experi- enced as contrary to humanity's earthly nature ; our failure to sacrifice ourselves radically in love ...
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accept actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final forgiveness freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language live Lizaveta Markel means Mitya moral murder Myshkin narration narrative Nastasya nature novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision voice words Zinovy Zosima