King LearHarold Bloom Chelsea House, 1992 - 284 psl. Contains ten critical essays, along with extracts from critical material by such authors as Charles Lamb, George Orwell, and Sigmund Freud. |
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Rezultatai 1–3 iš 10
xi psl.
... villains , from Richard III through lago , Edmund , and Macbeth , are shrewd and endless questers into their own self - motivations . If we could bear to see Hamlet , in his unwearied negations , as another hero - villain , then we ...
... villains , from Richard III through lago , Edmund , and Macbeth , are shrewd and endless questers into their own self - motivations . If we could bear to see Hamlet , in his unwearied negations , as another hero - villain , then we ...
30 psl.
... villain Edmund , and unlifelike Gloucester and Edgar , who only distract one's attention ; secondly , because it has not got the completely false " ef- fects " of Lear running about the heath , his conversations with the fool and all ...
... villain Edmund , and unlifelike Gloucester and Edgar , who only distract one's attention ; secondly , because it has not got the completely false " ef- fects " of Lear running about the heath , his conversations with the fool and all ...
149 psl.
... villain . The two plots of Lear finally merge in Act IV . There are also many other parallels in the play . The plain - speaking of Cordelia is re - enforced by the bluntness of Kent and contrasted with the flattery of Goneril and Regan ...
... villain . The two plots of Lear finally merge in Act IV . There are also many other parallels in the play . The plain - speaking of Cordelia is re - enforced by the bluntness of Kent and contrasted with the flattery of Goneril and Regan ...
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action actor Albany archetype audience Basilikon Doron becomes beginning Benedict Nightingale blind Bond Bond's called character child Christian contrast Cordelia Cordelia's death Cornwall critics daughters dead divine drama Edgar Edmund Edward Bond Elizabethan emotional evil eyes Falstaff father feeling figure final Fool Fool's give Gloucester Gloucester's gods Goneril and Regan grace Hamlet hath heart heath heavens human imagination ingratitude justice Kent kind King Lear kingdom Lear's Leir literary lives London look Macbeth madness man's mind moral nature never opening scene Othello pagan pain passion pastoral pattern play play's poetic poor rage reality says sense Shakespeare Shakespearean Tragedy sisters sorrow soul speak speech stage storm story suffering suggests tears tell tempest thee things Thou art thought Timon Timon of Athens Tolstoy tragedy tragic truth turns University violence vision weep wheel of fire William Shakespeare Wilson Knight wisdom words Yahweh