Romantic Poems, Poets, and NarratorsKent State University Press, 2000 - 203 psl. Romantic Poems, Poets, and Narrators will be valuable to specialists not only in romantic period studies but in literary theory and poetics as well. Students of Blake, Coleridge, Wordsworth, and Keats will appreciate these refreshingly subtle, tactful, and convincing new readings of the major romantic poems. The book is a scholarly and engaging guide to the various and complex discourses--formalist, psychoanalytic, deconstructive, new historicist--that have provided the terms in which these poems have been and currently are received. |
Knygos viduje
Rezultatai 1–5 iš 60
1 psl.
... meaning , in a literary event , is a function not of ' the poem itself but of the poem's historical relations with its readers and interpreters , " then more is at stake than the history of criticism . ' Throughout this book I shall be ...
... meaning , in a literary event , is a function not of ' the poem itself but of the poem's historical relations with its readers and interpreters , " then more is at stake than the history of criticism . ' Throughout this book I shall be ...
5 psl.
... meaning is the interpretive frame of Coleridge's own systematic theology , then such attempted mastery is triply present - and , I argue , along with such reading , also inadequate . The desire of modern readers to achieve a similar ...
... meaning is the interpretive frame of Coleridge's own systematic theology , then such attempted mastery is triply present - and , I argue , along with such reading , also inadequate . The desire of modern readers to achieve a similar ...
6 psl.
... meaning . I argue instead that Wordsworth deliberately situates his Ode in a generic line that , perhaps more obviously than Blake's prophetic genre , problematizes the speaker's mastery of himself and his subject . Also , like Blake ...
... meaning . I argue instead that Wordsworth deliberately situates his Ode in a generic line that , perhaps more obviously than Blake's prophetic genre , problematizes the speaker's mastery of himself and his subject . Also , like Blake ...
22 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
23 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Turinys
Introduction to the Songs of Experience The Infection of Time | 12 |
The Rime of the Ancient Mariner Distinguishing the Certain from the Uncertain | 34 |
The Prelude Still Something to Pursue | 65 |
The Intimations Ode An Infinite Complexity | 88 |
Lamia Attitude Is Every Thing | 110 |
Conclusion | 137 |
Notes | 153 |
185 | |
199 | |
Pagrindiniai terminai ir frazės
aesthetic ambiguity Ancient Mariner Apollonius argues argument awareness Bailey Bard Bard's believe Blake Bloom characterizes claim coherence Coleridge Coleridge's complex consciousness context critical cultural Dacier deconstructive desire discourse dream eighteenth-century emphasis added ence episode example fantasy formalist genre gloss glossator historicism historicist human imagination implies intention interpretation Intimations Ode John Keats Keats Keats's Lacan Lamia language latent content least limits literary Lycius lyric Lyrical Ballads Mariner's experience mastery McGann meaning metaphoric mind moral narrative narrator narrator's nature Neoplatonic Oxford philosophical Platonic Platonic shades poem poem's poet's poetic poetry Prelude primary process problem prophetic psychic psychoanalytic Reader-Response Criticism readers reflect relation rhetoric Rime Romantic poets Romanticism seems self-consciousness sense Simplon Pass Songs of Experience speaker stanzas sublime suggests textual theory Tintern Abbey tion transcendent truth understanding vision Warren William Blake William Wordsworth words Wordsworth York