The Writing and Reading of VerseD. Appleton, 1918 - 327 psl. |
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Rezultatai 1–5 iš 75
21 psl.
... thought in a | green | shade ( A. Marvell : Garden . ) Though the heart be | still as | loving , And the moon be | still as | bright . ( Byron : We'll Go No More A - roving . ) Such syllables , being merely preparatory to the first ...
... thought in a | green | shade ( A. Marvell : Garden . ) Though the heart be | still as | loving , And the moon be | still as | bright . ( Byron : We'll Go No More A - roving . ) Such syllables , being merely preparatory to the first ...
22 psl.
... thought go | up and | down The pleasant | streets of that | dear old town , And my youth comes back to me . ( Longfellow : My Lost Youth . ) The final foot in each line in this last quotation is mono- syllabic . A foot of one syllable ...
... thought go | up and | down The pleasant | streets of that | dear old town , And my youth comes back to me . ( Longfellow : My Lost Youth . ) The final foot in each line in this last quotation is mono- syllabic . A foot of one syllable ...
39 psl.
... To nature's order piously resigned , Or , with magnanimous and brave disdain , Return her back th ' injurious gift again . What would the eighteenth century have thought of some of 39 VERSE PATTERN - DUPLE AND TRIPLE RHYTHM.
... To nature's order piously resigned , Or , with magnanimous and brave disdain , Return her back th ' injurious gift again . What would the eighteenth century have thought of some of 39 VERSE PATTERN - DUPLE AND TRIPLE RHYTHM.
40 psl.
Clarence Edward Andrews. What would the eighteenth century have thought of some of Browning's effects , if Shakespeare and Milton were con- sidered irregular ! There is no reason a priori that any arrangement of syllables that is ...
Clarence Edward Andrews. What would the eighteenth century have thought of some of Browning's effects , if Shakespeare and Milton were con- sidered irregular ! There is no reason a priori that any arrangement of syllables that is ...
50 psl.
... thought to this ideal scheme . But the usual grammatical association of the words that express his thought have a rhythm of their own - a prose rhythm . This does not exactly fit the ideal rhythmical scheme of verse . When we read verse ...
... thought to this ideal scheme . But the usual grammatical association of the words that express his thought have a rhythm of their own - a prose rhythm . This does not exactly fit the ideal rhythmical scheme of verse . When we read verse ...
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alexandrine Alfred Noyes alliteration anapestic antistrophe ballade blank verse Browning century cesura Chapter consonants couplet dactylic dactylic movement dimeter direct attack dissyllabic divisions duple duple rhythm duple-triple rhythm effect emphasis English verse enjambment example extra accents eyes foot four free verse give heart heptameter heroic hexameter iambic movement iambic pentameter iambic-anapestic imitative irregular Keats light stresses line stanzas melody meter metrical Milton monotony night o'er occur octameter odes Paradise Lost passage pause pentameter phrasing Pindaric poem poetry poets Pope principle quatrains quoted reader refrain repetition rhythmical pattern rhythmical prose rime rime scheme Rossetti scansion sense Shelley sing Song sonnet sound stanza stanza form sweet Swinburne Swinburne's syllables Tennyson tetrameter thee themes thou thought tone-color trimeter triple rhythm trisyllabic feet trochaic trochaic movement tune unrimed unstressed syllable variation varied vers libre vowel wind words writing written
Populiarios ištraukos
128 psl. - I CHATTER over stony ways, In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on for ever.
305 psl. - I BRING fresh showers for the thirsting flowers, From the seas and the streams ; I bear light shade for the leaves when laid In their noonday dreams. From my wings are shaken the dews that waken The sweet buds every one, When rocked to rest on their mother's breast, As she dances about the sun.
82 psl. - Tears, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more.
98 psl. - Thou wilt not leave us in the dust: Thou madest man, he knows not why, He thinks he was not made to die; And thou hast made him: thou art just.
161 psl. - I STOOD in Venice, on the Bridge of Sighs ; A palace and a prison on each hand : I saw from out the wave her structures rise As from the stroke of the enchanter's wand : A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble piles, Where Venice sate in state, throned on her hundred isles.
139 psl. - Sweet Day, so cool, so calm, so bright, The bridal of the earth and sky, The dew shall weep thy fall to-night ; For thou must die. Sweet Rose, whose hue, angry and brave, Bids the rash gazer wipe his eye, Thy root is ever in its grave, And thou must die. Sweet Spring, full of sweet days and roses, A box where sweets compacted lie, My music shows ye have your closes, And all must die.
234 psl. - My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: "Tis not through envy of thy happy lot, But being too happy in thine happiness, — That thou, light-winged Dryad of the trees, In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease.
100 psl. - THE skies they were ashen and sober; The leaves they were crisped and sere, The leaves they were withering and sere; It was night in the lonesome October Of my most immemorial year ; It was hard by the dim lake of Auber, In the misty mid region of Weir: It was down by the dank tarn of Auber, In the ghoul-haunted woodland of Weir.
56 psl. - REMEMBER now thy Creator in the days of thy youth, while the evil days come not, nor the years draw nigh, when thou shalt say, I have no pleasure in them...
235 psl. - Ring out, ye crystal spheres ! Once bless our human ears, If ye have power to touch our senses so; And let your silver chime Move in melodious time ; And let the bass of heaven's deep organ blow; And with your ninefold harmony Make up full consort to the angelic symphony.