The Writing and Reading of VerseD. Appleton, 1918 - 327 psl. |
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x psl.
... develop a consistent prosody from it . The advantages of this approach to the subject are that it brings the analysis of verse into some relation to the way in which verse is written , and helps one to gain a greater pleasure in reading ...
... develop a consistent prosody from it . The advantages of this approach to the subject are that it brings the analysis of verse into some relation to the way in which verse is written , and helps one to gain a greater pleasure in reading ...
xi psl.
... ; but by studying his own efforts in com- parison with the work of accepted poets , he may develop an ear for the finer variations , and may then achieve an interesting verse technique of his own . It is obviously xi PREFACE.
... ; but by studying his own efforts in com- parison with the work of accepted poets , he may develop an ear for the finer variations , and may then achieve an interesting verse technique of his own . It is obviously xi PREFACE.
32 psl.
... developed different conventions and different ornaments of verse ; and the English sense of rhythm has varied from allowing extreme freedom as to the number of syllables to a time part , to demanding complete symmetry in this respect ...
... developed different conventions and different ornaments of verse ; and the English sense of rhythm has varied from allowing extreme freedom as to the number of syllables to a time part , to demanding complete symmetry in this respect ...
33 psl.
... developed a norm of three syllables to the foot - Triple Rhythm - but this type of verse did not have a definitely recognized place until late in the seventeenth century . Early in the nineteenth century a third norm came to be accepted ...
... developed a norm of three syllables to the foot - Triple Rhythm - but this type of verse did not have a definitely recognized place until late in the seventeenth century . Early in the nineteenth century a third norm came to be accepted ...
69 psl.
... has not been used enough as yet in serious verse to have its possibilities well developed . It appears at present to be used only with a rising movement . these effects by the names usually applied in classical prosody 69 MOVEMENT PHRASING.
... has not been used enough as yet in serious verse to have its possibilities well developed . It appears at present to be used only with a rising movement . these effects by the names usually applied in classical prosody 69 MOVEMENT PHRASING.
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Pagrindiniai terminai ir frazės
alexandrine Alfred Noyes alliteration anapestic antistrophe ballade blank verse Browning century cesura Chapter consonants couplet dactylic dactylic movement dimeter direct attack dissyllabic divisions duple duple rhythm duple-triple rhythm effect emphasis English verse enjambment example extra accents eyes foot four free verse give heart heptameter heroic hexameter iambic movement iambic pentameter iambic-anapestic imitative irregular Keats light stresses line stanzas melody meter metrical Milton monotony night o'er occur octameter odes Paradise Lost passage pause pentameter phrasing Pindaric poem poetry poets Pope principle quatrains quoted reader refrain repetition rhythmical pattern rhythmical prose rime rime scheme Rossetti scansion sense Shelley sing Song sonnet sound stanza stanza form sweet Swinburne Swinburne's syllables Tennyson tetrameter thee themes thou thought tone-color trimeter triple rhythm trisyllabic feet trochaic trochaic movement tune unrimed unstressed syllable variation varied vers libre vowel wind words writing written
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