Elements of Criticism: Volume I [-II]., 1 tomasA. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
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2 psl.
... resemble the former , being like them produced without any fenfible organic im- preffion . Their mixt nature and middle place between organic and intellectual pleasures , quali- fy them to affociate with both beauty heightens all the ...
... resemble the former , being like them produced without any fenfible organic im- preffion . Their mixt nature and middle place between organic and intellectual pleasures , quali- fy them to affociate with both beauty heightens all the ...
118 psl.
... resemblance to each other ; and yet fo intimately connected are their causes , as to force them into a fort of complex emotion , partly pleasant partly painful . This clearly explains fome expreffions common in poetry , afweet diftress ...
... resemblance to each other ; and yet fo intimately connected are their causes , as to force them into a fort of complex emotion , partly pleasant partly painful . This clearly explains fome expreffions common in poetry , afweet diftress ...
119 psl.
... resemblance of the emotions and partly from the connection of their caufes : whence it fol- lows , that the effect must be the greatest , where the causes are intimately connected and the emo- tions perfectly fimilar . The other ...
... resemblance of the emotions and partly from the connection of their caufes : whence it fol- lows , that the effect must be the greatest , where the causes are intimately connected and the emo- tions perfectly fimilar . The other ...
120 psl.
... resemblance between the emotions , and in- versely in proportion to the degree of connection between the causes : to feel this pleasure in per- fection , the refemblance cannot be too ftrong , nor the connection too flight . The former ...
... resemblance between the emotions , and in- versely in proportion to the degree of connection between the causes : to feel this pleasure in per- fection , the refemblance cannot be too ftrong , nor the connection too flight . The former ...
168 psl.
... resemble them . A found in a low key , brings down the mind ; fuch a found in a full tone , hath a certain folemnity , which it communicates to the feeling produced by it . A found in a high key , chears the mind by raising it : fuch a ...
... resemble them . A found in a low key , brings down the mind ; fuch a found in a full tone , hath a certain folemnity , which it communicates to the feeling produced by it . A found in a high key , chears the mind by raising it : fuch a ...
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action againſt agreeable alfo alſo appears arifing arts beauty becauſe Cæfar cafe cauſe chap circumftance colour connection courfe courſe defcribing defire degree difagreeable difcover diftrefs dignity diſtinguiſh effect elevation emotion raiſed eſteem expreffion faid fame kind fcarce feeling feems fenfe fenfible fentiment fhall fhould fight fimilar final caufe fingle fingular fion firft firſt fmall fo complex focial fome fometimes foon fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification happineſs hath himſelf Hudibras ideal prefence ideas impreffion inftances interefting itſelf ject lefs meaſure mind moft moſt motion mufic muft muſt nature neceffary novelty obfervation object occafion oppofite Othello paffage paffing paffion pain perceive perceptions perfon pleaſant pleaſure prefent produce produceth propenfity puniſhment purpoſe qualities raife reafon refemblance reflection refpect reliſh ridicule rifible ſelfiſh Shakeſpear ſtill tafte taſte thefe theſe thing thofe thoſe tion uſeful variety
Populiarios ištraukos
272 psl. - O, who can hold a fire in his hand, By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite, By bare imagination of a feast?
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66 psl. - If you have tears, prepare to shed them now. You all do know this mantle: I remember The first time ever Caesar put it on ; 'Twas on a summer's evening, in his tent; That day he overcame the Nervii : Look ! in this place, ran Cassius...
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492 psl. - Can honour set to a leg? No. Or an arm? No. Or take away the grief of a wound ? No. Honour hath no skill in surgery then ? No. What is honour? A word. What is in that word, honour? What is that honour? Air. A trim reckoning ! Who hath it? He that died o
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66 psl. - O, now you weep; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what ! weep you, when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.