Elements of Criticism, 1 tomas |
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To the man who refigns himself entirely to fentiment or feeling , without interpofing any fort of judgement , poetry , music , painting , are mere paftime : in the prime of life , indeed , they are delightful , being fupported by the ...
To the man who refigns himself entirely to fentiment or feeling , without interpofing any fort of judgement , poetry , music , painting , are mere paftime : in the prime of life , indeed , they are delightful , being fupported by the ...
128 psl.
... ought to be expreffive of the fentiment that is convey'd by the words ; but the latter having no connection with words , may be agreeable without relation to any fentiment : harmony properly fo called , though delightful when in ...
... ought to be expreffive of the fentiment that is convey'd by the words ; but the latter having no connection with words , may be agreeable without relation to any fentiment : harmony properly fo called , though delightful when in ...
129 psl.
Mufic accordingly is a very improper companion for fentiments of malice , cruelty , envy , peevishness , or of any other diffocial paffion ; witness among a thoufand King John's fpeech in Shakespear foliciting Hubert to murder Prince ...
Mufic accordingly is a very improper companion for fentiments of malice , cruelty , envy , peevishness , or of any other diffocial paffion ; witness among a thoufand King John's fpeech in Shakespear foliciting Hubert to murder Prince ...
130 psl.
Where the fame perfon is both the actor and the finger , as in an opera , there is a feparate reafon reason why mufic fhould not be affociated with the fentiments 130 Ch . II . EMOTIONS AND PASSIONS .
Where the fame perfon is both the actor and the finger , as in an opera , there is a feparate reafon reason why mufic fhould not be affociated with the fentiments 130 Ch . II . EMOTIONS AND PASSIONS .
131 psl.
reason why mufic fhould not be affociated with the fentiments of any difagreeable paffion , or the discription of any difagreeable object ; which is , that fuch affociation is altogether unnatural : the pain , for example , that a man ...
reason why mufic fhould not be affociated with the fentiments of any difagreeable paffion , or the discription of any difagreeable object ; which is , that fuch affociation is altogether unnatural : the pain , for example , that a man ...
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Neradome recenzijų įprastose vietose.
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Pagrindiniai terminai ir frazės
action agreeable alfo anger appear arts beauty becauſe becomes body caufe cauſe chap character circumſtances colour common confidered connection defire difagreeable dignity directed effect elevation emotion equally example expreffed expreffion external extremely fame feeling fenfe fentiments fhall fhould fight figns figure fion firft firſt fome force former fpectator fubject fucceffion fuch give gratification habit hand hath heart Hence himſelf human ideas importance impreffion influence inftances kind language latter lefs lively manner means mentioned mind moſt motion muſt nature never obfervation object occafion operation oppofite paffion pain particular perceived perceptions perfon pleaſant pleaſure prefent principle proceed produce proper proportion qualities raiſed reafon refemblance reflection refpect regularity relation remarkable requires ridicule tafte termed thefe theſe thing thofe thoſe thou thought tion train uniformity variety whole wonder
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Bibliografinė informacija
| Pavadinimas | Elements of Criticism, 1 tomas Elements of Criticism, Lord Henry Home Kames 1 tomas iš Elements of Criticism: Volume I [-II], Lord Henry Home Kames |
| Autorius | Lord Henry Home Kames |
| Leidimas | 3 |
| Leidėjas | A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
| Originalas iš | Oksfordo universitetas |
| Pakeista skaitmenine forma | 9 sausio 2007 |
| Eksportuoti šaltinį | BiBTeX EndNote RefMan |