Elements of Criticism: Volume I [-II]., 1 tomasA. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
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1 psl.
... still more remarkably the feel- ings of the former from thofe of the latter : a feeling pleafant or painful cannot exift but in the mind ; and yet because in tafting , touching , and fmelling , we are confcious of the impreffion made ...
... still more remarkably the feel- ings of the former from thofe of the latter : a feeling pleafant or painful cannot exift but in the mind ; and yet because in tafting , touching , and fmelling , we are confcious of the impreffion made ...
22 psl.
... still more general and comprehensive : in our progrefs from particular effects to general caufes , and from particular propofitions to the more comprehenfive , we feel a gradual dilatation or expansion of mind , like what is felt in pro ...
... still more general and comprehensive : in our progrefs from particular effects to general caufes , and from particular propofitions to the more comprehenfive , we feel a gradual dilatation or expansion of mind , like what is felt in pro ...
24 psl.
... still a greater influence than elevation , and therefore the pleasure of fall- ing with rain , and defcending gradually with a river , prevails over that of mounting upward . But where the courfe of nature is joined with e- levation ...
... still a greater influence than elevation , and therefore the pleasure of fall- ing with rain , and defcending gradually with a river , prevails over that of mounting upward . But where the courfe of nature is joined with e- levation ...
31 psl.
... still more plea- fant : fonie mufical compofitions of a low kind , raife feelings that may be put under the fame clafs . But fuch feelings are too faint to be term- ed paffions , or even emotions . This obfervation is intended to show ...
... still more plea- fant : fonie mufical compofitions of a low kind , raife feelings that may be put under the fame clafs . But fuch feelings are too faint to be term- ed paffions , or even emotions . This obfervation is intended to show ...
36 psl.
... still , when an emo- apprehend the matter , tion is railed , it is the being itself , as we that raifes the emotion ; and it raises it by means of one or other of its attributes . If it be urged , That we can in idea abstract a quality ...
... still , when an emo- apprehend the matter , tion is railed , it is the being itself , as we that raifes the emotion ; and it raises it by means of one or other of its attributes . If it be urged , That we can in idea abstract a quality ...
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action againſt agreeable alfo alſo appears arifing arts beauty becauſe Cæfar cafe cauſe chap circumftance colour connection courfe courſe defcribing defire degree difagreeable difcover diftrefs dignity diſtinguiſh effect elevation emotion raiſed eſteem expreffion faid fame kind fcarce feeling feems fenfe fenfible fentiment fhall fhould fight fimilar final caufe fingle fingular fion firft firſt fmall fo complex focial fome fometimes foon fpecies fpectator ftill ftrong fubject fublime fucceffion fuch fufficient furpriſe fwell grandeur gratification happineſs hath himſelf Hudibras ideal prefence ideas impreffion inftances interefting itſelf ject lefs meaſure mind moft moſt motion mufic muft muſt nature neceffary novelty obfervation object occafion oppofite Othello paffage paffing paffion pain perceive perceptions perfon pleaſant pleaſure prefent produce produceth propenfity puniſhment purpoſe qualities raife reafon refemblance reflection refpect reliſh ridicule rifible ſelfiſh Shakeſpear ſtill tafte taſte thefe theſe thing thofe thoſe tion uſeful variety
Populiarios ištraukos
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66 psl. - O, now you weep; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what ! weep you, when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.