How Good is David Mamet, Anyway?: Writings on Theater--and Why It MattersRoutledge, 2013-12-16 - 304 psl. First Published in 2000. Why do we go to the theater? There's a question! Or put it this way: Why, oh why, do we go to the theater? If we go to a movie and it isn't any good, well it's not the end of the world. We're usually quite content just the same. It passes the time. Though, as Samuel Beckett pointed out, the time would have passed anyway. But if we're disappointed at the theater, everything changes dramatically. We cannot while away the time at the theater. Time becomes precious. This is a collection of writings about the world of the theatre and includes pieces about Sir John Gielgud, Sir Ralph Richardson, Arthur Miller, Michael Bennett, Noel Coward, Barbra Streisand, Ralph Fiennes and more. |
Knygos viduje
Rezultatai 1–5 iš 28
1 psl.
... dramatist declared in outrageous mischief . He aimed his Swiftian fusillades , John Mortimer wrote in the New York Times , at all those who would turn the world gray in the name of political correctness . ” And now we had come to ...
... dramatist declared in outrageous mischief . He aimed his Swiftian fusillades , John Mortimer wrote in the New York Times , at all those who would turn the world gray in the name of political correctness . ” And now we had come to ...
3 psl.
... like God , is an Englishman . Therefore , the English believe that all theater began in England . They tend to overlook the Greeks . But classical Greek dramatists didn't write in English . The historic continuity EMPIRE OF THE STAGE.
... like God , is an Englishman . Therefore , the English believe that all theater began in England . They tend to overlook the Greeks . But classical Greek dramatists didn't write in English . The historic continuity EMPIRE OF THE STAGE.
4 psl.
... dramatists under commission . The nonprofit theaters of England are the formidable tributaries to the commercial West End and Broadway . Four recent Broadway transfers were from the National Theatre alone - Arcadia , Carousel ...
... dramatists under commission . The nonprofit theaters of England are the formidable tributaries to the commercial West End and Broadway . Four recent Broadway transfers were from the National Theatre alone - Arcadia , Carousel ...
17 psl.
... dramatist . The reason Shakespeare got longer is because actors play the words , not the line . You preserve the sanctity of the line . I reckon there are only about fifty actors left in the country who can do it . " Hall , a ...
... dramatist . The reason Shakespeare got longer is because actors play the words , not the line . You preserve the sanctity of the line . I reckon there are only about fifty actors left in the country who can do it . " Hall , a ...
23 psl.
Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
Turinys
1 | |
Lunch with Gielgud and Richardson | 25 |
Noёl Coward at Seventy | 34 |
Tranquil in Connecticut with Arthur Miller | 40 |
Englands Great CIown | 44 |
His Name Escapes Him | 48 |
In Memoriam Michael Bennett | 53 |
Peter Brook Barbra Streisand and Me | 58 |
No Tony for Julie | 164 |
What Is the Sound of One Hand Acting? | 167 |
Country Matters | 171 |
Oscar Wildes Brilliant Lunatics | 175 |
APlotz for David Ives | 178 |
No 1 Dance Hall Chicken Inna New York City | 181 |
Lost in Suburbia | 184 |
VoltaireShmoltaire | 187 |
Angels in America Parts 1 and 2 | 63 |
Janet McTeerUptheStage | 69 |
Hurry Up Please Its Time | 72 |
The Great Gambon | 75 |
Mr Brantleys Torsos | 80 |
The Ralph Fiennes Hamlet | 83 |
We Like It a Lot | 87 |
The Mayfair Medea | 91 |
Who Was the Jew Shakespeare Knew? | 94 |
Anything Goes with the Professor | 98 |
Art Is Good for You | 101 |
A Helluva Musical | 105 |
Its Big Its Safe Its Full of Generic Symbolism | 109 |
Whatever Happened to Class? | 112 |
Farewell Carousel | 115 |
My Blood Brother and Me | 118 |
Sleeping at the Theater | 122 |
The Killing of Wonderful Tennessee | 125 |
How to Murder Your Mother | 128 |
Brave New World | 131 |
Safe Pedophilia | 134 |
The Sad Tale of Jack the Cat | 137 |
Brilliant Blues | 141 |
Holocaust Denial | 145 |
The Amazing Vanessa Redgrave | 149 |
The Still Subversive Joe Orton | 152 |
Theater Thingie of the Year | 156 |
Slumming with Sam Shepard | 160 |
Shoing and Fucking | 190 |
Et In Arcadia Ego | 194 |
The America Play | 198 |
How America Was Lost | 201 |
These Gentle Artists | 204 |
The Jerry Stiller Three Sisters | 207 |
Needles and Opium | 211 |
The Three Ages of Woman | 214 |
The God of Lies | 217 |
Mametspeak | 220 |
How Good is David Mamet Anyway? | 225 |
Beckettscape | 229 |
Robert Brusteins Unfortunate Dance Lesson | 233 |
Everything Is Beautiful | 237 |
Pimp Fop Flop | 241 |
Hakuna Matata | 243 |
Dont Shoot the Composer | 247 |
A Great Electra | 251 |
Nicole Kidman Live Naked Movie Star | 254 |
Judi Judi Judi | 260 |
Harv the Marv | 264 |
Amazing Grace | 268 |
The Anglophile New York Times | 271 |
Iceman Cometh | 275 |
Act of Love | 279 |
Arthur Miller Comes Home | 282 |
Index | 287 |
Kiti leidimai - Peržiūrėti viską
How Good is David Mamet, Anyway?– Writings on Theatre--and why it Matters John Heilpern Ribota peržiūra - 2000 |
How Good is David Mamet, Anyway?– Writings on Theater--and Why It Matters John Heilpern Ribota peržiūra - 2013 |
Pagrindiniai terminai ir frazės
actor actress American appears asked audience beautiful become believe better born British Broadway called cast character child comedy comes course critic culture dance dark David death director don't drama dramatist dreams easy England English entire everything eyes father feel give goes Hamlet hand happened he's hope human isn't It's Jack John King known lady language laugh living London look lost mean mother movie musical never night original performance play production replied role Royal scene seems seen sense Shakespeare SIR JOHN SIR RALPH song speak stage star story success sure talk tell theater there's thing told turn voice who's wish wonder write written wrote York young