Pacific, and the forests of Spanish America, and the mountains on the frontiers of Alaska, have taken the place of the brooks, and woods, and hills of his boyhood. He travels alone, often passes days and weeks beyond the borders of civilization, spending the day searching for new things, and at night sleeping on the seashore, or in the desert, or in the crater of some extinct volcano, but always full of enthusiasm and hope. Still under thirty years of age, and with a constitution capable of withstanding any hardship or exposure, and with an energy invincible, his ambition to be a great traveler may be realized. To those not intimately acquainted with him he appears what he is notcold and distant in nature. His chosen friends are not many, but highly prized by him. He is an intense student of books and carries with him always some favorite author. Considering how much of his life has been spent in activity, few men of his years have read more extensively than he. He has studied the literatures of many languages, a few in the original, but more in translations. He has written verse all his life and has contributed to various newspapers. In 1889 he published "Idyls of the Golden Shore," a sinall volume of poems, which was not well received by the critics. The faults pointed out were those of which he himself was conscious, principally due to haste and a lack of condensation. He writes too much to write the best. His ability undoubtedly lies more in prose than in verse, yet when he has taken time to write with care, his poetry shows no mean power. A. W. F. THE CONQUEST. WHEN you were alone this even, Ada May, Did you hear the soft winds whisper Did you hear them sighing, sighing, Zephyrs worship you and love you Bluest blossoms bow before you, Truly you will not be cruel, Ada May! You will let me hear you singing You'll not frown when I come nearer Ah, I know you will not chide me, For you know That I came to hear you singing Soft and low. And I came to sit beside you, Where the manzanitas hide you, And the breezes sweetly chide you As they blow. Velvet fig-leaves cluster o'er us, Cute blue quails are peeping at us And about us shadows shiver, CALIFORNIA. FAIR western realm that borders on the sea, I, too, although a stranger on thy shore, Would claim thee for a season as my own; Thou dream-like country, radiant evermore, No sun on fairer land has ever shone. And I have loved thy valleys calm and still; And I have rested, there above the clouds, I've loved thy storms at times; for in the hour A grandeur in the gloom of darkest power, Then, land of rapture, fairer and more bright Than other realms of earth, I came to thee, And loved thee; left thee, but thy summer light Will beam in splendor evermore for me. BUENA VISTA. YE summits of Sierras! I am here; I pause, and westward look for the last time. I bid ye all adieu, but I will come again. My way is east across the continent, To lands where angry winters rave and roar; Around about me lie the century snows, SYMPATHY. So a woman's deep existence turns to him who speaks of love Turns to him who softly whispers words almost too low to hear; But she knows the meaning, words are ne'er too low for woman's ear; [heartMeaning never is too hidden for the wisdom of her To interpret love unspoken is a woman's native art. -The Bandit's Bride. ANN ANNA OLCOTT COMMELIN. NNA OLCOTT COMMELIN was born in Brooklyn, N. Y., and has resided all her life in that city. She was educated at the Brooklyn Heights Seminary, of which the late Professor Alonzo Gray was principal. She has always been interested in literature and literary pursuits, having a special fondness for poetry. She contributed many poems to the Index, a Boston paper, and she has also written for the Open Court, the Christian Register, the Woman magazine. In 1889 Mrs. Commelin collected and published a small volume of her poems, and has received kind notes of appreciation from several eminent literary personages. M. W. O. SPIRITS TWAIN. THROUGH paths unfrequented, All noiselessly, and as the lightning fleet, By day aloft we soar, Piercing the heaven's limitless blue dome, Then to the sapphire sea, Sometimes a darker spell From saddest memory lures us with its trend, Past the dark cypress in the yew-tree dell, Where over graves we bend. We heed not bolt nor bar, But enter at our will the palace gate, We know no bound nor mete In sky, in cloud, in sea, in air at home; On mountain peaks afar, with silent feet, O'er all the earth we roam. Close, close, how close we cling! Nor marriage rite, nor thou, oh, child most dear! Nor friend, long-tried and ever true, can bring Soul unto soul so near. How finely tuned are we! We know true hearts below the forms of speech. Between no twain is subtle sympathy Closer than love can teach. Yes, where have we not been FACES. On land, on sea, on cloud or sunny sky? WHEN SPRING-TIME COMETH ON. Of emerald velvet sown with dots of gold, When Spring-time comes again, When fruit trees deck themselves in bridal white, Falls on the world and droppeth in the mere, When Summer shall return, With wealth of chestnut bloom and crown of flowers, With hum of bee and bird and drowsy hours, While all her glowing, ripened charm I see, When Autumn shall have sway, And barberries in coral shall appear, When Winter draweth nigh And wraps her ermine o'er earth's clay cold breast, And every tree in jeweled sheen is drest, If I for thee shall sigh, Shall I, in home's familiar fire-lit place, Behold thy face? Through change of seasons told, Through Spring with elm tree buds and tender green, And lavish Summer's pageantry of scene, And Winter's frost and jeweled tracery, Oh, Love! what guise soe'er Thou takest, and in whom thy dwelling place, Albeit form unlovely, fair thy face! Oh, gift of heaven rare, Fairer than light of day, than all things fairThou art beyond compare! IN the eye that lights to meet us and the face that smiles to greet us Are the shadow of the future and the impress of the past; And the cheek that in its dawning flushed as rosy as the morning Shows the outline of its beauty as it fades away at last. And the little children's faces-'mid their dimples are the traces Of the maiden's glowing beauty and of manhood's brow of care; And the prophecy of gladness, and the shadow of the sadness, To the thoughtful eye that gazeth, are they lurking ever there. But the faces that are nearest, and the faces that are dearest, Are the true, the tender faces that our trust and loving win; Then, when comes to them the shading, when the roses shall be fading, Like the vase, with light illumined, shall we see the soul within. MURILLO'S MAGDALENE. I GAZE upon thy soul-lit eyes upturned, Was face of mortal ever seen so sweet? Methinks those eyes, which saw thy risen Lord, GEORGE ELIOT. Back again across the ocean, wandering o'er the British Isles, Through the fragrant English hedge-rows, where a landscape fresh beguiles, But we need not find her birthplace, yet to know her honored name, Poet, author, wisest thinker, world-wide in her selfmade fame. -A Woman's Choice. |