Putting History to the Question: Power, Politics, and Society in English Renaissance DramaColumbia University Press, 2000-05-02 - 464 psl. -- Garrett A. Sullivan, Shakespeare Quarterly |
Turinys
1 | |
Social Change and the Language | 49 |
The Social Vision of A New Way to | 73 |
Charity and the Social Order | 99 |
Imagining the Bastard in English | 127 |
Bastardy Counterfeiting and Misogyny in The Revengers | 149 |
Playing with Hands on | 167 |
RACE NATION EMPIRE | 205 |
Othello and Early | 269 |
An Episode of Torture at Bantam | 285 |
Romance Empire and Mercantile Fantasy | 311 |
Nation Language and the Optic | 339 |
Shakespeare | 373 |
Shakespeare and the Tropes | 399 |
Notes | 419 |
509 | |
Kiti leidimai - Peržiūrėti viską
Putting History to the Question– Power, Politics, and Society in English ... Michael Neill Peržiūra negalima - 2002 |
Pagrindiniai terminai ir frazės
adulterous Arden Arden of Faversham Armusia audience barbarous bastard become body Bulwer Caliban Cambridge Cassio chap Chirologia cited City Madam colonial counterfeit culture Desdemona Discourse domestic drama Dutch early modern East Indian Elizabethan emphasis added England English fantasy father fire Folger Shakespeare Library gentleman gesture Greenblatt Hakluytus Posthumus hand hath heart Henry honor household Iago Iago's illegitimacy imagined insists Ireland Irish island John kind King King Lear language Lear London Lord Luke marriage Massinger Massinger's master means metaphor monstrous Moor Mosby murder nation nature Othello Overreach patriarchal Pay Old Debts play play's political Prospero's Purchas racial Renaissance renders Revenger's Tragedy rhetoric Richard Richard Brathwait role scene Scott seems sense servants sexual Sir Giles Sir Henry Middleton social Spenser Spurio Stephen Greenblatt suggests symbolic Tempest thee thou Tidore tion tongue torture translation University Press unnatural usurpation Venice Volpone Voyage