Signs of Cleopatra: History, Politics, RepresentationRoutledge, 1993 - 164 psl. "For two thousand years images of Cleopatra have been distorted by the fantasies of European imagination and cultures. Our view of Cleopatra is structured not by the existence of the real woman but by the historical and cultural influences governing the various readings of her life. Each influence bears the traces of specific struggles for power and meaning. Mary Hamer recovers those traces. Cleopatra is often associated with desire but she also represents a woman's power to act for her own fulfilment. "Signs of Cleopatra" is a set of Cleopatra puzzles, using the Bakhtinian argument that a contest of meanings based around a figure allow issues of the widest importance to be organized and earthed through it. Taking particular images of Cleopatra from history, classics, literary studies and art history the author explores the differences between these images, concentrating on the specific social and historical formations which inform each reading and questioning the processes of representation itself."--from amazon.com. |
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5 psl.
... Rome , provoking a hostile reception from the first . This was true of many features of Egyptian culture . It gave rise to the problem of interpret- ing display , a grounding practice of Hellenistic culture but repudiated , at least in ...
... Rome , provoking a hostile reception from the first . This was true of many features of Egyptian culture . It gave rise to the problem of interpret- ing display , a grounding practice of Hellenistic culture but repudiated , at least in ...
22 psl.
... Rome , including the terms on which he himself held power , he took ' Augustus ' - an honorific with many positive associations , such as ' noble ' and ' good auguries'.30 Instead of bestowing this new name on the month of his birth ...
... Rome , including the terms on which he himself held power , he took ' Augustus ' - an honorific with many positive associations , such as ' noble ' and ' good auguries'.30 Instead of bestowing this new name on the month of his birth ...
28 psl.
... Rome did ; they enjoyed one freedom that made them a scandal to the men of Rome : they were free to choose their own husbands.22 Then , Cleopatra followed the tradition of the queens of her house , known for their court intrigues . and ...
... Rome did ; they enjoyed one freedom that made them a scandal to the men of Rome : they were free to choose their own husbands.22 Then , Cleopatra followed the tradition of the queens of her house , known for their court intrigues . and ...
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Looking like a queen | 1 |
housewife | 24 |
Newton and Cleopatra | 45 |
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Algarotti ambiguity Antony and Cleopatra Antony's argues authority Boccaccio Braij Caesar Caesarion Cambridge century Claudette Colbert Cleopa Cleopatra VII Cleopatra's Banquet coin Colbert contemporary cult cultural Curtius death defined Delacroix demonstration Dendera Egypt Egyptian fantasy feminism femmes figure of Cleopatra film France fresco Gautier gender genital Greek guillotine Hans Weiditz Hathor head Hertz Ibid identified image of Cleopatra Incontro Isis July Monarchy kind permission London looking male Marie-Antoinette Mark Antony marriage means medusa Mille's mother Musée name of Cleopatra Newton's Newtonian Newtonianismo obelisk Octavian offered Opticks painter painting Palazzo Labia Paris pearl perspective picture Plate play pleasure Plutarch political portrait produced Ptolemies queen relation representation represented Reproduced by kind revolutionary role Roman Rome scene sexes sexual difference social space specific spectacle spectators symbol Tiepolo tradition trompe-l'oeil University Press Venetian Venice viewer visual woman women woodcuts