Elementary Principles of Landscape PaintingThe author, 1934 - 260 psl. |
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... chapter and Chapter X. I recommend that the student experiment in black and white with the prin- ciples expounded in the foregoing chapter , using charcoal , crayon or sepia . It is an amusing fact , and a wholly commendable fault ( I ...
... chapter and Chapter X. I recommend that the student experiment in black and white with the prin- ciples expounded in the foregoing chapter , using charcoal , crayon or sepia . It is an amusing fact , and a wholly commendable fault ( I ...
89 psl.
John F. Carlson. CHAPTER IV AERIAL PERSPECTIVE TRANSITIONS IN VALUE AND COLOR T will seem like a paradoxical absurdity to say here ( after I having so strongly insisted upon a lat poster - like pattern of a values " in the first chapter ) ...
John F. Carlson. CHAPTER IV AERIAL PERSPECTIVE TRANSITIONS IN VALUE AND COLOR T will seem like a paradoxical absurdity to say here ( after I having so strongly insisted upon a lat poster - like pattern of a values " in the first chapter ) ...
179 psl.
John F. Carlson. IN CHAPTER IX COMPOSITION THE EXPRESSIVE PROPERTIES OF LINE AND MASS N the chapter on the Psychology of Color I endeavored to point out that color , in itself , reacts upon the subconscious mind , very much in the same ...
John F. Carlson. IN CHAPTER IX COMPOSITION THE EXPRESSIVE PROPERTIES OF LINE AND MASS N the chapter on the Psychology of Color I endeavored to point out that color , in itself , reacts upon the subconscious mind , very much in the same ...
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aesthetic angles appear apply arrangement artist atmosphere beauty become begin believe blue branches brushes called canvas cause chapter character clouds color composition consider course create dark darker desired Diagram difficult distance drawing earth edges elements entirely exist experience expression fact feel flat foreground give given glaze gradations green ground hold horizon idea important instance interesting kind knowledge landscape leave less light lighter look mass means medium mere merely mountain named nature necessary needs never object paint painter perspective physical picture plane present produce reason recede result seems seen sense shadows shapes sometimes space stand student suggest surface theory things tion tone tree true truth understand upright usually varnish warm whole yellow