Spires of Form: A Study of Emerson's Aesthetic TheoryHarvard University Press, 1951 - 276 psl. |
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208 psl.
... sublime , you would never think of denying my inspiration " ( J. , 1834 ) .98 The sublime also meets the test of memory , that arbiter over aesthetic experience . " When I have owed that pure feeling which we call the moral sublime to ...
... sublime , you would never think of denying my inspiration " ( J. , 1834 ) .98 The sublime also meets the test of memory , that arbiter over aesthetic experience . " When I have owed that pure feeling which we call the moral sublime to ...
211 psl.
... sublime " ( J. , 1826 ; italics mine ) . This passage resembles Burke's idea that the sublime is a feeling just on the balanced side of terror.107 From the shore the sea's majesty can be enjoyed without fear ; thus in July of 1841 ...
... sublime " ( J. , 1826 ; italics mine ) . This passage resembles Burke's idea that the sublime is a feeling just on the balanced side of terror.107 From the shore the sea's majesty can be enjoyed without fear ; thus in July of 1841 ...
213 psl.
... sublime . " Whether the source of inspiration be nature or art , Emerson finds the height of the moral sublime in union be- tween man and the Divine spirit . In " The Over - soul " he asserts that those " announcements of the soul ...
... sublime . " Whether the source of inspiration be nature or art , Emerson finds the height of the moral sublime in union be- tween man and the Divine spirit . In " The Over - soul " he asserts that those " announcements of the soul ...
Turinys
INTRODUCTION | 1 |
The Creative Process | 17 |
IMAGINATION AS SYMBOLIC SIGHT | 25 |
Autorių teisės | |
Nerodoma skirsnių: 7
Kiti leidimai - Peržiūrėti viską
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
admiration aesthetic enjoyment aesthetic experience Alcott American appears appreciation architecture art and literature beauty Boston Coleridge creation creative artist creative process delight Demonology derived Dial Divine Divinity School Address dreams effect Egyptian element eloquence Emerson asserts Emerson finds Emerson records Emerson says Emerson speaks Emerson's aesthetic Emerson's concept Emerson's statement Emerson's theory Emersonian emotion emphasis enjoy essay on Art expression feeling genius Goethe Greek Greenough Hegel Henry Thoreau Horatio Greenough Hugh Blair human humor Iamblichus idea ideal imagination inspiration intellect interpretation intuition Jacob Boehme journal kinesthetic lecture light literary London man's Margaret Fuller material memory ment Michelangelo modern moral observer observer's organic form Over-soul painting passage perception philosophy pleasure Plotinian Plotinus poem poet poet's poetic poetry Proclus Ralph Waldo Emerson reaction reading receptive experience religious sculpture sense impression Shakespeare shows soul spirit sublime Swedenborg symbol thought tion vols Washington Allston