Spires of Form: A Study of Emerson's Aesthetic TheoryHarvard University Press, 1951 - 276 psl. |
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Rezultatai 1–3 iš 36
43 psl.
... seem inactive , thought actually proceeds beneath the surface ; as a traveler home from Spain finds that gradually ... seems limited in com- parison to the quantity of such discussions since Freud , he does give it some recognition ...
... seem inactive , thought actually proceeds beneath the surface ; as a traveler home from Spain finds that gradually ... seems limited in com- parison to the quantity of such discussions since Freud , he does give it some recognition ...
52 psl.
... seem superfluous to the creative artist , not so much from an unwillingness to desert the mysti- cal state , as from a ... seems indifference . " Shakespeare represents the chief example of this power which exceeds any need to express ...
... seem superfluous to the creative artist , not so much from an unwillingness to desert the mysti- cal state , as from a ... seems indifference . " Shakespeare represents the chief example of this power which exceeds any need to express ...
99 psl.
... seems never to have given Leonardo's genius any recognition comparable to his enthusiasm for Michelangelo . The height of excellence in Italian painting Emerson finds in Raphael's Transfiguration , which becomes for him the " ideal " in ...
... seems never to have given Leonardo's genius any recognition comparable to his enthusiasm for Michelangelo . The height of excellence in Italian painting Emerson finds in Raphael's Transfiguration , which becomes for him the " ideal " in ...
Turinys
INTRODUCTION | 1 |
The Creative Process | 17 |
IMAGINATION AS SYMBOLIC SIGHT | 25 |
Autorių teisės | |
Nerodoma skirsnių: 7
Kiti leidimai - Peržiūrėti viską
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
admiration aesthetic enjoyment aesthetic experience Alcott American appears appreciation architecture art and literature beauty Boston Coleridge creation creative artist creative process delight Demonology derived Dial Divine Divinity School Address dreams effect Egyptian element eloquence Emerson asserts Emerson finds Emerson records Emerson says Emerson speaks Emerson's aesthetic Emerson's concept Emerson's statement Emerson's theory Emersonian emotion emphasis enjoy essay on Art expression feeling genius Goethe Greek Greenough Hegel Henry Thoreau Horatio Greenough Hugh Blair human humor Iamblichus idea ideal imagination inspiration intellect interpretation intuition Jacob Boehme journal kinesthetic lecture light literary London man's Margaret Fuller material memory ment Michelangelo modern moral observer observer's organic form Over-soul painting passage perception philosophy pleasure Plotinian Plotinus poem poet poet's poetic poetry Proclus Ralph Waldo Emerson reaction reading receptive experience religious sculpture sense impression Shakespeare shows soul spirit sublime Swedenborg symbol thought tion vols Washington Allston