Spires of Form: A Study of Emerson's Aesthetic TheoryHarvard University Press, 1951 - 276 psl. |
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26 psl.
... perception . Reid had denominated the feeling of a pain as sensation ; the seeing a tree , as perception ; the first , having no existence but in a sentient mind ; the second , involving reference of the act of perceiving to the object ...
... perception . Reid had denominated the feeling of a pain as sensation ; the seeing a tree , as perception ; the first , having no existence but in a sentient mind ; the second , involving reference of the act of perceiving to the object ...
27 psl.
... perception allied to creative power that Emerson finds poetic images necessary to its definition . Thus he quotes ... perception " or " impression " of an object on the mind indicates that it is well on its way to becoming an " image ...
... perception allied to creative power that Emerson finds poetic images necessary to its definition . Thus he quotes ... perception " or " impression " of an object on the mind indicates that it is well on its way to becoming an " image ...
36 psl.
... perception , his inner eye must first be opened . To discover the spirit in objects - in Emersonian sense , to " perceive " it - represents a long step toward inter- pretation . Thus , when Emerson speaks of the poet as living in the ...
... perception , his inner eye must first be opened . To discover the spirit in objects - in Emersonian sense , to " perceive " it - represents a long step toward inter- pretation . Thus , when Emerson speaks of the poet as living in the ...
Turinys
INTRODUCTION | 1 |
IMAGINATION AS SYMBOLIC SIGHT | 25 |
ture 92 Painting 98 Summary | 102 |
Autorių teisės | |
Nerodoma skirsnių: 6
Kiti leidimai - Peržiūrėti viską
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
active admiration aesthetic experience American analysis appears appreciation architecture artist asserts awareness beauty becomes body Boston called closely compares complete concept concerning considered creation creative creative artist criticism definition derived difference Divine dreams effect element eloquence Emerson says Emerson's theory emphasis English enjoy enjoyment essay example exists expression fact feeling finds flowing gives Greek human idea ideal imagination importance impression indicates inspiration intellect interest interpretation intuition Italy journal lecture less light literature London look man's material matter means memory mind moral mystical nature never notes objects observer observer's organic form original painting passage perception pleasure poem poet poetry principle reaction reading receptive recognizes relation represents sculpture seems sense shows similar soul speaks spirit statement sublime symbol takes things thinks thought tion true turn understanding universe vols whole writes