Spires of Form: A Study of Emerson's Aesthetic TheoryHarvard University Press, 1951 - 276 psl. |
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99 psl.
... painting . 42 Emerson's enthusiasm for Michelangelo's sculpture carries over to some extent to his painting ; not deeply impressed by the Last Judgment , he is completely captivated by Michel- angelo's self - portrait in the Capitoline ...
... painting . 42 Emerson's enthusiasm for Michelangelo's sculpture carries over to some extent to his painting ; not deeply impressed by the Last Judgment , he is completely captivated by Michel- angelo's self - portrait in the Capitoline ...
101 psl.
... painting . He has made an occasional observation to show that he compares the outer world with that of painting — as one June afternoon , looking into the river , when the idea occurs to him that the dark shades in paintings by ...
... painting . He has made an occasional observation to show that he compares the outer world with that of painting — as one June afternoon , looking into the river , when the idea occurs to him that the dark shades in paintings by ...
102 psl.
... painting as a more ideal art than sculpture , though less ideal than poetry in a realm midway between the actual and the transcendental . While he has made some application of the organic principle to painting , his use of that ...
... painting as a more ideal art than sculpture , though less ideal than poetry in a realm midway between the actual and the transcendental . While he has made some application of the organic principle to painting , his use of that ...
Turinys
INTRODUCTION | 1 |
The Creative Process | 17 |
IMAGINATION AS SYMBOLIC SIGHT | 25 |
Autorių teisės | |
Nerodoma skirsnių: 7
Kiti leidimai - Peržiūrėti viską
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
admiration aesthetic enjoyment aesthetic experience Alcott American appears appreciation architecture art and literature beauty Boston Coleridge creation creative artist creative process delight Demonology derived Dial Divine Divinity School Address dreams effect Egyptian element eloquence Emerson asserts Emerson finds Emerson records Emerson says Emerson speaks Emerson's aesthetic Emerson's concept Emerson's statement Emerson's theory Emersonian emotion emphasis enjoy essay on Art expression feeling genius Goethe Greek Greenough Hegel Henry Thoreau Horatio Greenough Hugh Blair human humor Iamblichus idea ideal imagination inspiration intellect interpretation intuition Jacob Boehme journal kinesthetic lecture light literary London man's Margaret Fuller material memory ment Michelangelo modern moral observer observer's organic form Over-soul painting passage perception philosophy pleasure Plotinian Plotinus poem poet poet's poetic poetry Proclus Ralph Waldo Emerson reaction reading receptive experience religious sculpture sense impression Shakespeare shows soul spirit sublime Swedenborg symbol thought tion vols Washington Allston