Spires of Form: A Study of Emerson's Aesthetic TheoryHarvard University Press, 1951 - 276 psl. |
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... Moral Law is read as the in- flexible , uncompromising commandments of the Medes and Persians . Granting the importance of the moral element as the bedrock for his developing conceptions , reaching back to the Calvinism of his ...
... Moral Law is read as the in- flexible , uncompromising commandments of the Medes and Persians . Granting the importance of the moral element as the bedrock for his developing conceptions , reaching back to the Calvinism of his ...
91 psl.
... moral , it is significant that Garbett fastens upon Emerson's moral statement , and that neither Greenough nor Emerson sees any inconsistency in the fact . Perhaps it is well to have before us this " moral " impression made by Emerson ...
... moral , it is significant that Garbett fastens upon Emerson's moral statement , and that neither Greenough nor Emerson sees any inconsistency in the fact . Perhaps it is well to have before us this " moral " impression made by Emerson ...
267 psl.
... Morality : Emerson's liberal interpre- tation of quality of , 12 , 230 ; ele- ment of , in architecture , 91 ; ex- panded meaning of , in art , 136 Moral Law , 12 Moral Sense , lecture on , 179 Moral sublime , the , 208 Moses , 216 ...
... Morality : Emerson's liberal interpre- tation of quality of , 12 , 230 ; ele- ment of , in architecture , 91 ; ex- panded meaning of , in art , 136 Moral Law , 12 Moral Sense , lecture on , 179 Moral sublime , the , 208 Moses , 216 ...
Turinys
INTRODUCTION | 1 |
IMAGINATION AS SYMBOLIC SIGHT | 25 |
ture 92 Painting 98 Summary | 102 |
Autorių teisės | |
Nerodoma skirsnių: 6
Kiti leidimai - Peržiūrėti viską
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
active admiration aesthetic experience American analysis appears appreciation architecture artist asserts awareness beauty becomes body Boston called closely compares complete concept concerning considered creation creative creative artist criticism definition derived difference Divine dreams effect element eloquence Emerson says Emerson's theory emphasis English enjoy enjoyment essay example exists expression fact feeling finds flowing gives Greek human idea ideal imagination importance impression indicates inspiration intellect interest interpretation intuition Italy journal lecture less light literature London look man's material matter means memory mind moral mystical nature never notes objects observer observer's organic form original painting passage perception pleasure poem poet poetry principle reaction reading receptive recognizes relation represents sculpture seems sense shows similar soul speaks spirit statement sublime symbol takes things thinks thought tion true turn understanding universe vols whole writes