Spires of Form: A Study of Emerson's Aesthetic TheoryHarvard University Press, 1951 - 276 psl. |
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... imagination is " an arm or weapon of the higher energy . " In this light , the imagination is seen as identical with the expansive power which the artist derives from Divine spirit . Thus , in " Poetry and Imagination , " Emerson ...
... imagination is " an arm or weapon of the higher energy . " In this light , the imagination is seen as identical with the expansive power which the artist derives from Divine spirit . Thus , in " Poetry and Imagination , " Emerson ...
39 psl.
... imagination sup- plies what he was seeking in his tireless speculations about the creative mind- an imaginative theory of the imagination . Like Coleridge , Emerson was reacting from such analyses of the imagination as that of Dugald ...
... imagination sup- plies what he was seeking in his tireless speculations about the creative mind- an imaginative theory of the imagination . Like Coleridge , Emerson was reacting from such analyses of the imagination as that of Dugald ...
40 psl.
... imagination , by over- emphasizing ease and swiftness of creation , it has the advan- tage of keeping faith with ... imagination ) to the third phase of the crea- tive process , external expression . Works of imagination , for example ...
... imagination , by over- emphasizing ease and swiftness of creation , it has the advan- tage of keeping faith with ... imagination ) to the third phase of the crea- tive process , external expression . Works of imagination , for example ...
Turinys
INTRODUCTION | 1 |
IMAGINATION AS SYMBOLIC SIGHT | 25 |
ture 92 Painting 98 Summary | 102 |
Autorių teisės | |
Nerodoma skirsnių: 6
Kiti leidimai - Peržiūrėti viską
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
active admiration aesthetic experience American analysis appears appreciation architecture artist asserts awareness beauty becomes body Boston called closely compares complete concept concerning considered creation creative creative artist criticism definition derived difference Divine dreams effect element eloquence Emerson says Emerson's theory emphasis English enjoy enjoyment essay example exists expression fact feeling finds flowing gives Greek human idea ideal imagination importance impression indicates inspiration intellect interest interpretation intuition Italy journal lecture less light literature London look man's material matter means memory mind moral mystical nature never notes objects observer observer's organic form original painting passage perception pleasure poem poet poetry principle reaction reading receptive recognizes relation represents sculpture seems sense shows similar soul speaks spirit statement sublime symbol takes things thinks thought tion true turn understanding universe vols whole writes