Spires of Form: A Study of Emerson's Aesthetic TheoryHarvard University Press, 1951 - 276 psl. |
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4 psl.
... derived little enjoyment or understand- ing from the plastic arts . The publication of the Journals ( 1909-14 ) , with their considerable body of comment on Italian art as well as on American exhibitions , helped to place Emerson's art ...
... derived little enjoyment or understand- ing from the plastic arts . The publication of the Journals ( 1909-14 ) , with their considerable body of comment on Italian art as well as on American exhibitions , helped to place Emerson's art ...
58 psl.
... derive from spirit , and that the science of art can progress only by connection with the gen- eral spiritual life of ... derived from sense perception and passions , while Emerson's spirit is that of the Divine , or of its extension in ...
... derive from spirit , and that the science of art can progress only by connection with the gen- eral spiritual life of ... derived from sense perception and passions , while Emerson's spirit is that of the Divine , or of its extension in ...
74 psl.
... derived his " organic " concept from Plato's " ideal " forms . Goethe helped him to see the whole world of art as a universe of equal impor- tance with the natural , though always dependent upon it , and Coleridge assisted him to apply ...
... derived his " organic " concept from Plato's " ideal " forms . Goethe helped him to see the whole world of art as a universe of equal impor- tance with the natural , though always dependent upon it , and Coleridge assisted him to apply ...
Turinys
INTRODUCTION | 1 |
The Creative Process | 17 |
IMAGINATION AS SYMBOLIC SIGHT | 25 |
Autorių teisės | |
Nerodoma skirsnių: 7
Kiti leidimai - Peržiūrėti viską
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
admiration aesthetic enjoyment aesthetic experience Alcott American appears appreciation architecture art and literature beauty Boston Coleridge creation creative artist creative process delight Demonology derived Dial Divine Divinity School Address dreams effect Egyptian element eloquence Emerson asserts Emerson finds Emerson records Emerson says Emerson speaks Emerson's aesthetic Emerson's concept Emerson's statement Emerson's theory Emersonian emotion emphasis enjoy essay on Art expression feeling genius Goethe Greek Greenough Hegel Henry Thoreau Horatio Greenough Hugh Blair human humor Iamblichus idea ideal imagination inspiration intellect interpretation intuition Jacob Boehme journal kinesthetic lecture light literary London man's Margaret Fuller material memory ment Michelangelo modern moral observer observer's organic form Over-soul painting passage perception philosophy pleasure Plotinian Plotinus poem poet poet's poetic poetry Proclus Ralph Waldo Emerson reaction reading receptive experience religious sculpture sense impression Shakespeare shows soul spirit sublime Swedenborg symbol thought tion vols Washington Allston