Spires of Form: A Study of Emerson's Aesthetic TheoryHarvard University Press, 1951 - 276 psl. |
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... considered valid because of a quality of free expansion which may be considered the direct result of the spiritual " flowing " discovered by imagination in nature . Placing a certain value upon quantity of insight , Emerson writes in ...
... considered valid because of a quality of free expansion which may be considered the direct result of the spiritual " flowing " discovered by imagination in nature . Placing a certain value upon quantity of insight , Emerson writes in ...
50 psl.
... considered view of expression , this self - destructive conception does have a place in his theory . The soul , for example , discouraged with inability to express , may find a cure for all its literary ills by " the mere apprehension ...
... considered view of expression , this self - destructive conception does have a place in his theory . The soul , for example , discouraged with inability to express , may find a cure for all its literary ills by " the mere apprehension ...
93 psl.
... considered the most talented of the young expatriate sculptors , and superior to the Italian , whom they considered tame . At this time Emerson was disappointed in Greenough's achievement , for the Achilles , which he saw in clay at ...
... considered the most talented of the young expatriate sculptors , and superior to the Italian , whom they considered tame . At this time Emerson was disappointed in Greenough's achievement , for the Achilles , which he saw in clay at ...
Turinys
INTRODUCTION | 1 |
IMAGINATION AS SYMBOLIC SIGHT | 25 |
ture 92 Painting 98 Summary | 102 |
Autorių teisės | |
Nerodoma skirsnių: 6
Kiti leidimai - Peržiūrėti viską
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
active admiration aesthetic experience American analysis appears appreciation architecture artist asserts awareness beauty becomes body Boston called closely compares complete concept concerning considered creation creative creative artist criticism definition derived difference Divine dreams effect element eloquence Emerson says Emerson's theory emphasis English enjoy enjoyment essay example exists expression fact feeling finds flowing gives Greek human idea ideal imagination importance impression indicates inspiration intellect interest interpretation intuition Italy journal lecture less light literature London look man's material matter means memory mind moral mystical nature never notes objects observer observer's organic form original painting passage perception pleasure poem poet poetry principle reaction reading receptive recognizes relation represents sculpture seems sense shows similar soul speaks spirit statement sublime symbol takes things thinks thought tion true turn understanding universe vols whole writes