Spires of Form: A Study of Emerson's Aesthetic TheoryHarvard University Press, 1951 - 276 psl. |
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Rezultatai 1–3 iš 93
58 psl.
... artist's mind ) from sense perception , from association , and from represen- tation , identifying intuition very ... artist , Croce exclaims : " How little ! " For Croce the intuitive knowledge of the artist is " expressive knowl- edge ...
... artist's mind ) from sense perception , from association , and from represen- tation , identifying intuition very ... artist , Croce exclaims : " How little ! " For Croce the intuitive knowledge of the artist is " expressive knowl- edge ...
61 psl.
... artist shows that Emerson's creed of inspiration represented no abandoning of responsibility by the artist , but rather a for- saking of lesser concerns to fulfill the higher responsibility which is his rightful function . If , in ...
... artist shows that Emerson's creed of inspiration represented no abandoning of responsibility by the artist , but rather a for- saking of lesser concerns to fulfill the higher responsibility which is his rightful function . If , in ...
199 psl.
... Artist ? " Instead of identifying ourselves with the work , we must , he says , feel " the soul of the workman " streaming through us . The next step must be a progress away from the individual artist to the larger nature which he ...
... Artist ? " Instead of identifying ourselves with the work , we must , he says , feel " the soul of the workman " streaming through us . The next step must be a progress away from the individual artist to the larger nature which he ...
Turinys
INTRODUCTION | 1 |
The Creative Process | 17 |
IMAGINATION AS SYMBOLIC SIGHT | 25 |
Autorių teisės | |
Nerodoma skirsnių: 7
Kiti leidimai - Peržiūrėti viską
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
admiration aesthetic enjoyment aesthetic experience Alcott American appears appreciation architecture art and literature beauty Boston Coleridge creation creative artist creative process delight Demonology derived Dial Divine Divinity School Address dreams effect Egyptian element eloquence Emerson asserts Emerson finds Emerson records Emerson says Emerson speaks Emerson's aesthetic Emerson's concept Emerson's statement Emerson's theory Emersonian emotion emphasis enjoy essay on Art expression feeling genius Goethe Greek Greenough Hegel Henry Thoreau Horatio Greenough Hugh Blair human humor Iamblichus idea ideal imagination inspiration intellect interpretation intuition Jacob Boehme journal kinesthetic lecture light literary London man's Margaret Fuller material memory ment Michelangelo modern moral observer observer's organic form Over-soul painting passage perception philosophy pleasure Plotinian Plotinus poem poet poet's poetic poetry Proclus Ralph Waldo Emerson reaction reading receptive experience religious sculpture sense impression Shakespeare shows soul spirit sublime Swedenborg symbol thought tion vols Washington Allston