Spires of Form: A Study of Emerson's Aesthetic TheoryHarvard University Press, 1951 - 276 psl. |
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91 psl.
... architecture to that of modern thinkers.32 First awakened to a perception of form in architecture by his view of Italian churches , Emerson was encouraged by Goethe to see natural patterns in architectural design . Always hospitable to ...
... architecture to that of modern thinkers.32 First awakened to a perception of form in architecture by his view of Italian churches , Emerson was encouraged by Goethe to see natural patterns in architectural design . Always hospitable to ...
92 psl.
... Architecture , the skeleton , the resistance to gravity , and the elements make one extreme ; florid , petulant anthropomorphism , which carves every pump - handle and door - knob into a human face , is the other ; midway between these ...
... Architecture , the skeleton , the resistance to gravity , and the elements make one extreme ; florid , petulant anthropomorphism , which carves every pump - handle and door - knob into a human face , is the other ; midway between these ...
240 psl.
... Architecture ( London , 1850 ) . Such a modern architect as Frank Lloyd Wright , for example , agrees with Emerson that architecture must satisfy human needs , but at no time shares the Ruskinian point of view ( which prevails in ...
... Architecture ( London , 1850 ) . Such a modern architect as Frank Lloyd Wright , for example , agrees with Emerson that architecture must satisfy human needs , but at no time shares the Ruskinian point of view ( which prevails in ...
Turinys
INTRODUCTION | 1 |
The Creative Process | 17 |
IMAGINATION AS SYMBOLIC SIGHT | 25 |
Autorių teisės | |
Nerodoma skirsnių: 7
Kiti leidimai - Peržiūrėti viską
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
admiration aesthetic enjoyment aesthetic experience Alcott American appears appreciation architecture art and literature beauty Boston Coleridge creation creative artist creative process delight Demonology derived Dial Divine Divinity School Address dreams effect Egyptian element eloquence Emerson asserts Emerson finds Emerson records Emerson says Emerson speaks Emerson's aesthetic Emerson's concept Emerson's statement Emerson's theory Emersonian emotion emphasis enjoy essay on Art expression feeling genius Goethe Greek Greenough Hegel Henry Thoreau Horatio Greenough Hugh Blair human humor Iamblichus idea ideal imagination inspiration intellect interpretation intuition Jacob Boehme journal kinesthetic lecture light literary London man's Margaret Fuller material memory ment Michelangelo modern moral observer observer's organic form Over-soul painting passage perception philosophy pleasure Plotinian Plotinus poem poet poet's poetic poetry Proclus Ralph Waldo Emerson reaction reading receptive experience religious sculpture sense impression Shakespeare shows soul spirit sublime Swedenborg symbol thought tion vols Washington Allston