Spires of Form: A Study of Emerson's Aesthetic TheoryHarvard University Press, 1951 - 276 psl. |
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9 psl.
... aesthetic creation . On the assump- tion that the same mental power governs both aesthetic crea- tion and religious experience , one can easily transfer intuitions from one field to another . Thus Emerson asserts that the artist ...
... aesthetic creation . On the assump- tion that the same mental power governs both aesthetic crea- tion and religious experience , one can easily transfer intuitions from one field to another . Thus Emerson asserts that the artist ...
188 psl.
A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins. This emphasis upon the fluidity characteristic of aesthetic enjoyment strikingly resembles the view of Pater . Since Emerson did not read Pater until late in life , the ...
A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins. This emphasis upon the fluidity characteristic of aesthetic enjoyment strikingly resembles the view of Pater . Since Emerson did not read Pater until late in life , the ...
257 psl.
... Aesthetic , " not " literary , " 3 Aesthetic appreciation , definition of , 162 Aesthetic experience , Chapter III ; third phase of cycle , 2 ; observer's relation to creative artist , 147–161 ; psychological matrix , 161-183 ; sense ...
... Aesthetic , " not " literary , " 3 Aesthetic appreciation , definition of , 162 Aesthetic experience , Chapter III ; third phase of cycle , 2 ; observer's relation to creative artist , 147–161 ; psychological matrix , 161-183 ; sense ...
Turinys
INTRODUCTION | 1 |
The Creative Process | 17 |
IMAGINATION AS SYMBOLIC SIGHT | 25 |
Autorių teisės | |
Nerodoma skirsnių: 7
Kiti leidimai - Peržiūrėti viską
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
admiration aesthetic enjoyment aesthetic experience Alcott American appears appreciation architecture art and literature beauty Boston Coleridge creation creative artist creative process delight Demonology derived Dial Divine Divinity School Address dreams effect Egyptian element eloquence Emerson asserts Emerson finds Emerson records Emerson says Emerson speaks Emerson's aesthetic Emerson's concept Emerson's statement Emerson's theory Emersonian emotion emphasis enjoy essay on Art expression feeling genius Goethe Greek Greenough Hegel Henry Thoreau Horatio Greenough Hugh Blair human humor Iamblichus idea ideal imagination inspiration intellect interpretation intuition Jacob Boehme journal kinesthetic lecture light literary London man's Margaret Fuller material memory ment Michelangelo modern moral observer observer's organic form Over-soul painting passage perception philosophy pleasure Plotinian Plotinus poem poet poet's poetic poetry Proclus Ralph Waldo Emerson reaction reading receptive experience religious sculpture sense impression Shakespeare shows soul spirit sublime Swedenborg symbol thought tion vols Washington Allston