Spires of Form: A Study of Emerson's Aesthetic TheoryHarvard University Press, 1951 - 276 psl. |
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... Michelangelo . First led by Goethe to admire this sculptor , Emerson proceeded to study him in- dependently . The essay on " Michael Angelo " approves his definition of beauty as " the purgation of superfluities , " which of course ...
... Michelangelo . First led by Goethe to admire this sculptor , Emerson proceeded to study him in- dependently . The essay on " Michael Angelo " approves his definition of beauty as " the purgation of superfluities , " which of course ...
99 psl.
... Michelangelo to Titian's disad- vantage ; Michelangelo is the Homer , Titian the Moore or Spenser of painting . " 42 Emerson's enthusiasm for Michelangelo's sculpture carries over to some extent to his painting ; not deeply impressed by ...
... Michelangelo to Titian's disad- vantage ; Michelangelo is the Homer , Titian the Moore or Spenser of painting . " 42 Emerson's enthusiasm for Michelangelo's sculpture carries over to some extent to his painting ; not deeply impressed by ...
273 psl.
... Michelangelo on , 66 ; creation of , compared to God's , 73 ; Greek , 78-79 ; Dial notes on " Painting and Sculpture , " 92 , 98 ; classical and modern , in Italy , 93-94 ; Athenaeum exhibit , 94-95 ; Michelangelo epitome of , 95-96 ...
... Michelangelo on , 66 ; creation of , compared to God's , 73 ; Greek , 78-79 ; Dial notes on " Painting and Sculpture , " 92 , 98 ; classical and modern , in Italy , 93-94 ; Athenaeum exhibit , 94-95 ; Michelangelo epitome of , 95-96 ...
Turinys
INTRODUCTION | 1 |
The Creative Process | 17 |
The Work of Art | 63 |
Autorių teisės | |
Nerodoma skirsnių: 7
Kiti leidimai - Peržiūrėti viską
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Spires of Form– A Study of Emerson's Aesthetic Theory Vivian Constance Hopkins Trumpų ištraukų rodinys - 1951 |
Pagrindiniai terminai ir frazės
admiration aesthetic experience Alcott American appreciation architecture art and literature beauty Boston Coleridge creation creative artist creative mind creative process derived Dial Divine Divinity School Address dreams Egyptian element Elgin Marbles eloquence Emerson asserts Emerson finds Emerson records Emerson says Emerson speaks Emerson's aesthetic Emerson's concept Emerson's critical Emerson's statements Emerson's theory Emersonian emphasis English essay on Art expression feeling flowing form in architecture genius Goethe Greenough Hegel Henry Thoreau Horatio Greenough human ideal imagination inspiration intellect interpretation intuition journal lecture light literary man's marble Margaret Fuller material memory ment Michelangelo modern moral mystical natural objects nature's Neo-Platonic observer observer's organic form Over-soul painting passage perception philosophical Plato Plotinian Plotinus poem poet poet's poetic poetry principle Proclus Ralph Waldo Emerson reading recognizes relation religious sculpture sense impression Shakespeare shows soul spirit sublime Swedenborg symbol Thoreau thought tion ture verse