On Modern PoetsMeridian Books, 1959 - 223 psl. |
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19 psl.
... relationship to this poem , that Crispin has been turned away first from the attempt to study himself directly , and second from the attempt to indulge in exotic experiences , and that he has been turned instead to the attempt to master ...
... relationship to this poem , that Crispin has been turned away first from the attempt to study himself directly , and second from the attempt to indulge in exotic experiences , and that he has been turned instead to the attempt to master ...
53 psl.
... relationship to tradition , and why is it superior to that of Bridges , Hardy , or Robinson ? And in what does it resemble the relationship of Valéry , whom Eliot apparently judges , as do I , to be the greatest modern in French ? On ...
... relationship to tradition , and why is it superior to that of Bridges , Hardy , or Robinson ? And in what does it resemble the relationship of Valéry , whom Eliot apparently judges , as do I , to be the greatest modern in French ? On ...
109 psl.
... relationship , then , between meter and meaning ; the meter , like the meaning , goes its own way , gathering irrelevancies to itself ; but the two co - operate to this extent , that in interfering with each other they increase the ...
... relationship , then , between meter and meaning ; the meter , like the meaning , goes its own way , gathering irrelevancies to itself ; but the two co - operate to this extent , that in interfering with each other they increase the ...
Turinys
Introduction by Keith McKean | 7 |
T S Eliot or the Illusion of Reaction | 35 |
John Crowe Ransom or Thunder without God | 73 |
Autorių teisės | |
Nerodoma skirsnių: 4
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
accented appears artist beauty believe blank verse Bridges Christ concept Crane criticism Dante deal described detail difficulty dissyllabic doctrine Donne dramatic Eliot Emerson emotion endeavors essay evaluate express fact feeling Frost Gerard Manley Hopkins haecceity Hart Crane Hopkins human experience Ibid ideas imagine imitation impulse inscape intellectual irrelevant John Crowe Ransom kind language less literary lyric matter McLuhan meaning merely meter metrical mind moral motive nature object objective correlative obscure offers passage perception perfect perhaps philosophy poem poet poet's poetic poetry possible Pound precise Professor X prose pure Ransom rational reader reason relationship result romantic scansion seems sense sentimental sestet Shakespeare sonnet Sprung Rhythm stanza statement Stevens style syllables symbolic T. S. Eliot Tate tercet theme theory thought tion tradition understand W. B. Yeats Wallace Stevens Whitman words World's Body writes