On Modern PoetsMeridian Books, 1959 - 223 psl. |
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87 psl.
... imitation of an unique object in nature . Ransom definitely regards the work of art as the imitation of an unique object , however , and he employs the word imitation in a simple and literal sense , to understand which one need know ...
... imitation of an unique object in nature . Ransom definitely regards the work of art as the imitation of an unique object , however , and he employs the word imitation in a simple and literal sense , to understand which one need know ...
88 psl.
Yvor Winters. it is either an imperfect imitation or something other than an imitation . In God without Thunder22 he writes : If M. Bergson had defended the freedom of inorganic as well as of organic objects , he might readily have ...
Yvor Winters. it is either an imperfect imitation or something other than an imitation . In God without Thunder22 he writes : If M. Bergson had defended the freedom of inorganic as well as of organic objects , he might readily have ...
90 psl.
... imitation but is something else . In The New Criticism , 25 Ransom develops this theory , or something very like it , in a somewhat new direction . He states that our emotion for the artistic object cannot be the same as our emotion for ...
... imitation but is something else . In The New Criticism , 25 Ransom develops this theory , or something very like it , in a somewhat new direction . He states that our emotion for the artistic object cannot be the same as our emotion for ...
Turinys
Introduction by Keith McKean | 7 |
T S Eliot or the Illusion of Reaction | 35 |
John Crowe Ransom or Thunder without God | 73 |
Autorių teisės | |
Nerodoma skirsnių: 4
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Pagrindiniai terminai ir frazės
accented appears artist beauty believe blank verse Bridges Christ concept Crane criticism Dante deal described detail difficulty dissyllabic doctrine Donne dramatic Eliot Emerson emotion endeavors essay evaluate express fact feeling Frost Gerard Manley Hopkins haecceity Hart Crane Hopkins human experience Ibid ideas imagine imitation impulse inscape intellectual irrelevant John Crowe Ransom kind language less literary lyric matter McLuhan meaning merely meter metrical mind moral motive nature object objective correlative obscure offers passage perception perfect perhaps philosophy poem poet poet's poetic poetry possible Pound precise Professor X prose pure Ransom rational reader reason relationship result romantic scansion seems sense sentimental sestet Shakespeare sonnet Sprung Rhythm stanza statement Stevens style syllables symbolic T. S. Eliot Tate tercet theme theory thought tion tradition understand W. B. Yeats Wallace Stevens Whitman words World's Body writes