On Modern PoetsMeridian Books, 1959 - 223 psl. |
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Rezultatai 1–3 iš 31
100 psl.
... detail . For each poem even , ideally , there is distinguishable a logical ob- ject or universal , but at the same time a tissue of irrelevance from which it does not really emerge . We may observe here again the characteristic elements ...
... detail . For each poem even , ideally , there is distinguishable a logical ob- ject or universal , but at the same time a tissue of irrelevance from which it does not really emerge . We may observe here again the characteristic elements ...
106 psl.
... detail were all perfect , the poem could be nothing but a chaos of irrelevancies not much better organized than a section of Finnegans Wake . The theory of the morality of poetry does not break down in the face of such a poem , for if ...
... detail were all perfect , the poem could be nothing but a chaos of irrelevancies not much better organized than a section of Finnegans Wake . The theory of the morality of poetry does not break down in the face of such a poem , for if ...
112 psl.
... detail is primarily musical , in the imperfect sense in which this term can be applied to poetry , it is neces- sarily elusive , and elaborate attempts to describe it will always be clumsy . Within the detail , however , the ...
... detail is primarily musical , in the imperfect sense in which this term can be applied to poetry , it is neces- sarily elusive , and elaborate attempts to describe it will always be clumsy . Within the detail , however , the ...
Turinys
Introduction by Keith McKean | 7 |
T S Eliot or the Illusion of Reaction | 35 |
John Crowe Ransom or Thunder without God | 73 |
Autorių teisės | |
Nerodoma skirsnių: 4
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
accented appears artist beauty believe blank verse Bridges Christ concept Crane criticism Dante deal described detail difficulty dissyllabic doctrine Donne dramatic Eliot Emerson emotion endeavors essay evaluate express fact feeling Frost Gerard Manley Hopkins haecceity Hart Crane Hopkins human experience Ibid ideas imagine imitation impulse inscape intellectual irrelevant John Crowe Ransom kind language less literary lyric matter McLuhan meaning merely meter metrical mind moral motive nature object objective correlative obscure offers passage perception perfect perhaps philosophy poem poet poet's poetic poetry possible Pound precise Professor X prose pure Ransom rational reader reason relationship result romantic scansion seems sense sentimental sestet Shakespeare sonnet Sprung Rhythm stanza statement Stevens style syllables symbolic T. S. Eliot Tate tercet theme theory thought tion tradition understand W. B. Yeats Wallace Stevens Whitman words World's Body writes