On Modern PoetsMeridian Books, 1959 - 223 psl. |
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Rezultatai 1–3 iš 33
62 psl.
... concept seems to place the main emphasis on the data themselves . Matthiessen does not attempt , as I remember , to reconcile this concept of the dramatic with the concept of autotelic art , but it would be well worth his trouble . The ...
... concept seems to place the main emphasis on the data themselves . Matthiessen does not attempt , as I remember , to reconcile this concept of the dramatic with the concept of autotelic art , but it would be well worth his trouble . The ...
73 psl.
... concepts , the concepts to which he takes the most extreme exception . Ransom objects primarily to my concept of the morality of poetry , and in order to make myself clear I shall have to re- state that concept briefly and then indicate ...
... concepts , the concepts to which he takes the most extreme exception . Ransom objects primarily to my concept of the morality of poetry , and in order to make myself clear I shall have to re- state that concept briefly and then indicate ...
131 psl.
... concept of best or highest , toward which evolution is moving , for that concept would then be outside of God and would supersede God ; it would be , in theological language , God's final cause ; and such a concept would be nonsense ...
... concept of best or highest , toward which evolution is moving , for that concept would then be outside of God and would supersede God ; it would be , in theological language , God's final cause ; and such a concept would be nonsense ...
Turinys
Introduction by Keith McKean | 7 |
T S Eliot or the Illusion of Reaction | 35 |
John Crowe Ransom or Thunder without God | 73 |
Autorių teisės | |
Nerodoma skirsnių: 4
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Pagrindiniai terminai ir frazės
accented appears artist beauty believe blank verse Bridges Christ concept Crane criticism Dante deal described detail difficulty dissyllabic doctrine Donne dramatic Eliot Emerson emotion endeavors essay evaluate express fact feeling Frost Gerard Manley Hopkins haecceity Hart Crane Hopkins human experience Ibid ideas imagine imitation impulse inscape intellectual irrelevant John Crowe Ransom kind language less literary lyric matter McLuhan meaning merely meter metrical mind moral motive nature object objective correlative obscure offers passage perception perfect perhaps philosophy poem poet poet's poetic poetry possible Pound precise Professor X prose pure Ransom rational reader reason relationship result romantic scansion seems sense sentimental sestet Shakespeare sonnet Sprung Rhythm stanza statement Stevens style syllables symbolic T. S. Eliot Tate tercet theme theory thought tion tradition understand W. B. Yeats Wallace Stevens Whitman words World's Body writes