On Modern PoetsMeridian Books, 1959 - 223 psl. |
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55 psl.
... artist to tradition may be illustrated by one more characteristic passage : 2 23 I was dealing then with the artist , and the sense of tradition which , it seemed to me , the artist should have ; but it was generally a problem of order ...
... artist to tradition may be illustrated by one more characteristic passage : 2 23 I was dealing then with the artist , and the sense of tradition which , it seemed to me , the artist should have ; but it was generally a problem of order ...
89 psl.
... artist has put into his work , and we respond with ours . I use the term love not too fearfully . The motive for engag- ing upon the other kind of transcript is glory , according to the metaphysical idealists ; duty , according to the ...
... artist has put into his work , and we respond with ours . I use the term love not too fearfully . The motive for engag- ing upon the other kind of transcript is glory , according to the metaphysical idealists ; duty , according to the ...
189 psl.
... artist for his power . The second stanza tells us that not even angelic insight , however , can enable us to judge the heart of the artist from his work , since artistic law and the nature of man are distinct from each other . I confess ...
... artist for his power . The second stanza tells us that not even angelic insight , however , can enable us to judge the heart of the artist from his work , since artistic law and the nature of man are distinct from each other . I confess ...
Turinys
Introduction by Keith McKean | 7 |
T S Eliot or the Illusion of Reaction | 35 |
John Crowe Ransom or Thunder without God | 73 |
Autorių teisės | |
Nerodoma skirsnių: 4
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Pagrindiniai terminai ir frazės
accented appears artist beauty believe blank verse Bridges Christ concept Crane criticism Dante deal described detail difficulty dissyllabic doctrine Donne dramatic Eliot Emerson emotion endeavors essay evaluate express fact feeling Frost Gerard Manley Hopkins haecceity Hart Crane Hopkins human experience Ibid ideas imagine imitation impulse inscape intellectual irrelevant John Crowe Ransom kind language less literary lyric matter McLuhan meaning merely meter metrical mind moral motive nature object objective correlative obscure offers passage perception perfect perhaps philosophy poem poet poet's poetic poetry possible Pound precise Professor X prose pure Ransom rational reader reason relationship result romantic scansion seems sense sentimental sestet Shakespeare sonnet Sprung Rhythm stanza statement Stevens style syllables symbolic T. S. Eliot Tate tercet theme theory thought tion tradition understand W. B. Yeats Wallace Stevens Whitman words World's Body writes