Lyric Forms from France: Their History and Their UseHarcourt, Brace, 1922 - 527 psl. |
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4 psl.
... envoy I shall break through your guard and pink you , " or , as the line runs in French , " Qu'à la fin de l'envoy je touche . " John McCrae's In Flanders Fields , the most fre- quently quoted and widely known of all the poems pro ...
... envoy I shall break through your guard and pink you , " or , as the line runs in French , " Qu'à la fin de l'envoy je touche . " John McCrae's In Flanders Fields , the most fre- quently quoted and widely known of all the poems pro ...
9 psl.
... envoy which later became a regular feature of the fixed form and fre- quently have refrains consisting of several lines . The reduction of the refrain to one line came about grad- ually . As early as 1339 in a poem mourning the death of ...
... envoy which later became a regular feature of the fixed form and fre- quently have refrains consisting of several lines . The reduction of the refrain to one line came about grad- ually . As early as 1339 in a poem mourning the death of ...
10 psl.
... envoy . These same puys saw the development of the chant royal , and of other forms with envoy . The history of the word pui or puy is uncertain . It has been derived from the Latin podium , meaning " ele- vation , " and in this sense ...
... envoy . These same puys saw the development of the chant royal , and of other forms with envoy . The history of the word pui or puy is uncertain . It has been derived from the Latin podium , meaning " ele- vation , " and in this sense ...
12 psl.
... envoy , addressed or dedicated to the Prince , which , in the course of poetical contests , was added in the puys in the late fourteenth century . Thereafter , chambers of rhetoric and individual poets might vary the length of the line ...
... envoy , addressed or dedicated to the Prince , which , in the course of poetical contests , was added in the puys in the late fourteenth century . Thereafter , chambers of rhetoric and individual poets might vary the length of the line ...
13 psl.
... envoy , with its conventional salute to the " Prince , " was annexed , and the ballade became in France a favorite poetic type for at least two centuries to come . The ballade in the late Middle Ages captured the taste of France and ...
... envoy , with its conventional salute to the " Prince , " was annexed , and the ballade became in France a favorite poetic type for at least two centuries to come . The ballade in the late Middle Ages captured the taste of France and ...
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Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
Algernon Charles Swinburne Andrew Lang Arcady Austin Dobson BALLADE Banville beauty Behold birds blow blue Brander Matthews breath bright century Chant Royal cling Clinton Scollard cold dance dead dear Death delight doth dreams earth Edmund Gosse ENVOI Prince eyes fain fair Farewell fate flower François Villon glow gold golden grace grey hath hear heart heaven hour King kiss L'ENVOI lady laugh life's light lips live Lord Louis Untermeyer love's lovers maid maiden Midsummer moon never night o'er play poem poets praise pray Queen refrain rhyme Richard Le Gallienne rondeau RONDEL rose Sestina shine sigh sing sleep song sorrow soul spring stanza sweet tears thee Théodore de Banville thine things thou triolet verse Villanelle Villon voice W. E. Henley weary wind wings youth
Populiarios ištraukos
41 psl. - No ! let me taste the whole of it, fare like my peers The heroes of old, Bear the brunt, in a minute pay glad life's arrears, Of pain, darkness, and cold.
370 psl. - In Flanders fields the poppies blow Between the crosses, row on row, That mark our place, and in the sky, The larks, still bravely singing, fly, Scarce heard amid the guns below. We are the dead; short days ago We lived, felt dawn, saw sunset glow, Loved and were loved, and now we lie In Flanders fields.
493 psl. - TELL me now in what hidden way is Lady Flora the lovely Roman ? Where's Hipparchia, and where is Thais, Neither of them the fairer woman ? Where is Echo, beheld of no man, Only heard on river and mere, She whose beauty was more than human ? . . . But where are the snows of yester-year ? TRANSLATIONS FROM VILLON.
68 psl. - Now welcom somer, with thy sonne softe. That hast this wintres weders over-shake. And driven awey the longe nightes blake...
438 psl. - THE HOUSE ON THE HILL THEY are all gone away, The House is shut and still, There is nothing more to say. Through broken walls and gray The winds blow bleak and shrill: They are all gone away. Nor is there one to-day To speak them good or ill : There is nothing more to say. Why is it then we stray Around the sunken sill?
41 psl. - Stryve noght, as doth the crokke with the wal. Daunte thy-self, that dauntest otheres dede; And trouthe shal delivere, hit is no drede.
125 psl. - For us, nor let hell's thunder on us fall; We are dead, let no man harry or vex us dead, But pray to God that he forgive us all. The rain has washed and laundered us all five, And the sun dried and blackened; yea, perdie, Ravens and pies with beaks that rend and rive Have dug our eyes out, and plucked off for fee Our beards and eyebrows; never are we free, Not once, to rest; but here and there still sped, Drive at its wild will by the wind's change led, More pecked of birds than fruits on garden...
66 psl. - Your yen two wol slee me sodenly, I may the beaute of hem not sustene.
311 psl. - We'll to the woods and gather may Fresh from the footprints of the rain; We'll to the woods, at every vein To drink the spirit of the day. 'The winds of spring are out at play, The needs of spring in heart and brain. We'll to the woods and gather mayFresh from the footprints of the rain.
481 psl. - Thy too thick buckwheats, and thy tea too thin. Ay! here I dare thee, ready for the fray! Thou dost not " keep a first-class house," I say ! It does not with the advertisements agree.