Stages and Playgoers: From Guild Plays to ShakespeareMcGill-Queen's Press - MQUP, 2001-12-05 - 224 psl. The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change. By examining a native dramatic tradition not fully explored before, Hill proposes new ways to imagine historical and contemporary performances. Stages and Playgoers will be invaluable for students of cultural studies, medieval and Renaissance studies, theatre history, and stagecraft. |
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... appear frequently in late medieval drama and continue to be crucial stage strategies for Shakespeare , in whose works they grow and change . By examin- ing a native English dramatic tradition not fully explored before , Hill proposes ...
... appear frequently in late medieval drama and continue to be crucial stage strategies for Shakespeare , in whose works they grow and change . By examin- ing a native English dramatic tradition not fully explored before , Hill proposes ...
3 psl.
... Appearing in the Towneley episode , but not in the Bible , is a char- acter called Pykeharnes , Cain's servant . Also in the episode , but for obvious reasons absent from the Bible , are references by master and servant to life in late ...
... Appearing in the Towneley episode , but not in the Bible , is a char- acter called Pykeharnes , Cain's servant . Also in the episode , but for obvious reasons absent from the Bible , are references by master and servant to life in late ...
6 psl.
... appears in new staging systems , but which , again and again , feeding off the living presence of the play- goers , injects the drama with diverse , often conflicting and uncer- tain , perspectives . Nor do I claim that recognizing open ...
... appears in new staging systems , but which , again and again , feeding off the living presence of the play- goers , injects the drama with diverse , often conflicting and uncer- tain , perspectives . Nor do I claim that recognizing open ...
14 psl.
... appearing with great frequency in late medieval drama , continue as crucial stage strategies for Shakespeare , in whose work they grow and change . CHAPTER ONE Oure Play PLAYING CONDITIONS IN THE GUILD PLAYS 14 Stages and Playgoers.
... appearing with great frequency in late medieval drama , continue as crucial stage strategies for Shakespeare , in whose work they grow and change . CHAPTER ONE Oure Play PLAYING CONDITIONS IN THE GUILD PLAYS 14 Stages and Playgoers.
15 psl.
... some critical circles . Some scholars suggest that performances of the plays either were , or became , unconnected to the Corpus Christi festival . But — " Corpus Christi " play is what appears most often 1 Oure Play.
... some critical circles . Some scholars suggest that performances of the plays either were , or became , unconnected to the Corpus Christi festival . But — " Corpus Christi " play is what appears most often 1 Oure Play.
Turinys
3 | |
15 | |
2 Nonce Plays | 76 |
3 I Know You All | 109 |
4 Open Address in the Romances | 161 |
Notes | 185 |
Bibliography | 221 |
Index | 235 |
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Abraham acting action actors audi audience audience's Bevington biblical Blackfriars Cain characters Chester Christ close comic companies contemporary costumes court Coventry Cressida crowds Cymbeline devil early Elizabethan ence England English episode example Falstaff figure fool galleries goers Gower guild drama guild plays Gurr hall Hamlet Hattaway heaven Hell Henry Henry VI Herod Imogen impresario Jachimo James Burbage king King Lear Lear listeners lives loca locus London look Lord Mankind medieval drama morality plays N-Town never no-one Noah nonce drama nonce plays offers open address openly Pandarus performance Pericles platea play's players playgoers Playgoing playing space playworld playwrights Posthumus present Prologue Prospero public playhouses Pykharnes Richard romance scaffold servant Shakespeare shepherds soliloquies speaks spectators speech story strategies talk Tamburlaine tapster tell theatre theatrical thou tion Titus Andronicus Towneley Towneley's towns Tudor Twycross Tydeman watching Weimann words York York's Yorkshire þat