Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions, 2 tomasR. Fenner, 1817 - 309 psl. |
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19 psl.
... fears , nor the prophetic soul Of the wide world dreaming on things to come- * * * * * $ The mortal moon hath her eclipse endur'd , And the sad augurs mock their own presage ; Incertainties now crown themselves assur'd , And Peace ...
... fears , nor the prophetic soul Of the wide world dreaming on things to come- * * * * * $ The mortal moon hath her eclipse endur'd , And the sad augurs mock their own presage ; Incertainties now crown themselves assur'd , And Peace ...
43 psl.
... which had impress'd many incidents upon his mind So Of hardship , skill or courage , joy or fear ; Which like a book preserved the memory Of the dumb animals , whom he had sav'd , Had fed or shelter'd , linking to such acts , 43.
... which had impress'd many incidents upon his mind So Of hardship , skill or courage , joy or fear ; Which like a book preserved the memory Of the dumb animals , whom he had sav'd , Had fed or shelter'd , linking to such acts , 43.
60 psl.
... fears , tears and trembling will permit . But as soon as the eye is again directed to the printed page , the spell begins anew ; for an instinctive sense tells the child's feelings , that to utter its own momentary thoughts , and to ...
... fears , tears and trembling will permit . But as soon as the eye is again directed to the printed page , the spell begins anew ; for an instinctive sense tells the child's feelings , that to utter its own momentary thoughts , and to ...
73 psl.
... fear ! While every goodly or familiar form Had a strange power of spreading terror round me . " N.B. Though Shakspeare has for his own all justifying purposes introduced the Night - Mare with her own foals , yet Mair means a Sister or ...
... fear ! While every goodly or familiar form Had a strange power of spreading terror round me . " N.B. Though Shakspeare has for his own all justifying purposes introduced the Night - Mare with her own foals , yet Mair means a Sister or ...
75 psl.
... fear , rage , or jealousy . vividness of the descriptions or declamations in DONNE , or DRYDEN , is as much and as often derived from the force and fervour of the describer , as from the reflections forms or incidents which constitute ...
... fear , rage , or jealousy . vividness of the descriptions or declamations in DONNE , or DRYDEN , is as much and as often derived from the force and fervour of the describer , as from the reflections forms or incidents which constitute ...
Kiti leidimai - Peržiūrėti viską
Biographia Literaria Or, Biographical Sketches of My Literary Life ..., 2 tomas Samuel Taylor Coleridge Visos knygos peržiūra - 1817 |
Pagrindiniai terminai ir frazės
admiration Aldobrand ANSW appear beauty Bertram blank verse character child common composition conversation critic Cuxhaven DANE defect delight diction drama Edinburgh Review effect Elbe English equally excellence excitement expression feelings former French genius German German language greater Greek ground guage Hamburg heart human imagery images imagination imitation instance interest judgement Klopstock lady language least less lines low and rustic Lubec Lyrical Ballads MADRIGALE Martha Ray means ment metre metrical Milton mind moral nature object odes passage passion perhaps person philosophical Pindar pleasure poem poet poet's poetic poetry present prose racter Ratzeburg reader reason rhyme S. T. COLERIDGE scene seemed sense sentences Shakespeare Sonnet soul specimens spirit stanzas style surprize sweet sympathy taste thing thou thought tion tragedy truth Venus and Adonis verse whole wish words Wordsworth writers
Populiarios ištraukos
12 psl. - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
67 psl. - But nature makes that mean: so, over that art Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A...
52 psl. - Accordingly, such a language, arising out of repeated experience and regular feelings, is a more permanent, and a far more philosophical language, than that which is frequently substituted for it by Poets...
38 psl. - Humble and rustic life was generally chosen, because, in that condition, the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language; because in that condition of life our elementary feelings co-exist in a state of greater simplicity, and, consequently, may be more accurately contemplated, and more forcibly communicated; because the manners of rural life germinate from those elementary feelings,...
2 psl. - In the one, the incidents and agents were to be, in part at least, supernatural; and the excellence aimed at was to consist in the interesting of the affections by the dramatic truth of such emotions as would naturally accompany such situations, supposing them real.
18 psl. - It has been before observed that images, however beautiful, though faithfully copied from nature, and as accurately represented in words, do not of themselves characterize the poet. They become proofs of original genius only as far as they are modified by a predominant passion; or by associated thoughts or images awakened by that passion...
139 psl. - While he was talking thus, the lonely place, The old Man's shape, and speech, all troubled me: In my mind's eye I seemed to see him pace About the weary moors continually, Wandering about alone and silently.
174 psl. - And not in utter nakedness, But trailing clouds of glory do we come From God who is our home: Heaven lies about us in our infancy! Shades of the prison-house begin to close Upon the growing boy ; But he beholds the light, and whence it flows, He sees it in his joy ! The youth who daily further from the east Must travel, still is nature's priest, And by the vision splendid Is on his way attended ; At length the man perceives it die away, And fade into the light of common day.
20 psl. - ... with him: Yet nor the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew : Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose ; They were but sweet, but figures of delight, Drawn after you ; you pattern of all those. Yet seem'd it winter still, and, you away, As with your shadow I with these did play : XCIX.
64 psl. - And it would be a most easy task to prove to him, that not only the language of a large portion of every good poem, even of the most elevated character, must necessarily, except with reference to the metre, in no respect differ from that of good prose, but likewise that some of the most interesting parts of the best poems will be found to be strictly the language of prose when prose is well written.