LADY GRANT HAT. TERRY, 409 BROADWAY. FIG. 1.-Dress with double skirt. The first skirt is of white silk, covered by narrow gray stripes. The second skirt is of lilac silk; it is short, open in front à tunique, and is edged with black lace. In place of the body, a white chemisette with long sleeves; bretelles and cuffs of lilac silk, edged with black lace; waist belt of white silk, edged with INFANT'S HAT. TERRY. two long points, falling down over the skirt, and trimmed with velvet and lace like the bodice. Fig. 4.-Morning toilet. This elegant toilet, of fawn rep, is composed of a little pelerine, edged with a ruche of blue satin ribbon. The sleeve is quite plain, very small at the wrist, and terminated with a ruche at the bottom. The ample skirt is open in front, and trimmed with a wide ruche of blue satin ribbon, which is carried round the bottom and up the front on each side. Two wide bows of ribbon are placed on each sile of the skirt. The waistband is deep, with two ends hanging down in ribbons falling down on the back, completes the toilet. Fig. 5.-Dress of green moire antique, made with a gored skirt cut train-shaped behind. The bottom of the skirt is scalloped, and the scallops in front are small, and increase in size towards the back of the garment. They are edged with a thick silk cord. The bodice is front. A lace cap, with two long blue THE EUREKA MUFF. TERRY. PAGE 234. high, and is made with a round waiɛt. The sleeves are nearly tightly-fitting, and have epaulets trimmed with hanging gimp tags and cord. The same trimming is put on the lower part of the sleeve, and gimp tags are also attached to the bodice of the dress in front, where it fasteus. Lace collar and undersleeves. More simple and less costly materials than moire antique could be made up in the same style as this with very good effect. The bertha, under-skirt and sash of the darker hue. The points are edged with gimp, and those of the bertha are ornamented with tassels. Coat sleeves. Fig 11.-Bonnet of drawn silk, trimmed with roses and tulle. Silk dress, trimmed with green velvet, silk cord and tassels. Small basques all around the waist. Wide belt of silk, trimmed with velvet. and one up each seam. The bands are fastened down at each breadth by gold buttons. The sleeves and high round waist are similarly ornamented. Empire bonnet of fancy straw, trimmed with brown velvet and tea-roses. Fig. 12.-Dress of cuir-colored silk, trimmed with bands of Fig. 6.-Dress of gray silk (or for evening wear any light-brown silk edged with gold cord-three rows around the skirt colored material), trimmed with straps of groseille velvet. arranged to imitate vandykes. The velvet is edged with lace or blonde. Over this skirt are worn a plaited muslin chemisette and a Watteau bodice with basques. This bodice is made in groseille velvet, trimmed with blonde or lace, and cords and gimp rosettes with pendants. In small evening parties, when a low dress is not required, this toilet will be found particularly suitable. The Watteau bodice would also look pretty made in silk, and would be more economical than velvet, of which our model was composed. Fig. 7.-Dress of wine-colored silk, made in the Gabrielle style, trimmed with a cable of silk and steel. The cord forms a V on the shoulder. Coat sleeves. Silk and steel buttons up the whole front of the dress. Fig. 8.-Dress of striped poplin, with a wide flounce at the bottom of the skirt extending around the back and sides, and headed by a silk ruche. The same trimming, put on in spiral form, runs up the front of the dress. Pardessus of the same material as the dress, rounded in front and encircled with a ruche. Chip bonnet, trimmed with ribbons and flowers. Fig. 9.-Pompadour silk dress. Black silk jacket, with large plaits in the basque at the back, covered by a small upper basque. Jockeys and cuffs embroidered with steel and trimmed with narrow fringe. Same trimming on the basque. Fig. 10.-Bonnet of straw, trimmed with gold cord and tassels, a scarf of tulle and roses. Silk dress of two shades of purple silk. The corsage and tunic are of the lighter shade. Fig. 13.-Dress of Havana-colored foulard silk; the skirt has at the bottom a broad band of silk of a darker shade, cut in vandykes at the top, and edged by a narrow parti-colored ribbon, which forms a kind of Greek border at the top of the vandykes. The body is plain and high, with a round waist and waist belt of the darker silk, edged by the narrow colored rib: bon; it is trimmed à bretelles by the same ribbon, which forms square epaulets on the shoulders, and the sleeves are trimmed to correspond. Fig. 14.-Dress of purple silk; the skirt without trimming. Tight-fitting pelisse of black silk, the skirt rather long, and formed at the back into plaits like those of a coat, which are edged with large steel beads. The body is ornamented by a band of lilac silk, edged with very narrow black lace. It starts from the neck, forming a point at the back, it is carried down the front, passes under the arms, and at the back forms a bow with long floating ends. Leghorn hat, trimmed with black velvet, black lace, and branches of ivy leaves with berries. Fig. 15. Tallien coiffure, adorned with gold bandelets. Double dress. The under-dress is made of plain green silk, and trimmed with darker silk strips on the high part of the bodice and the bottom of the skirt, where it is not covered by the two long ends very wide at the bottom, is richly embroidered. Coiffure of black lace azaleas. Fig. 16.-Felt hat, with rounded brim, and edged with a the top and bottom of the sleeves. The waistband, which has narrow braid of black silk. The crown is trimmed round with a band of blue silk, put on plain at the bottom and slightly plaited at the top. It is covered with a gold cord, and forms a bow in front, from which issues a long white fea ther. The gold cord hangs behind with two tassels. Veil of lace. The dress is made of gray silk or alpaca, without bodice, and is fastened by a silk waistband, with a cord of silk and steel, terminated by two long tassels. Casaque of the same material, cut straight with points in front, and slightly fitting behind. It is edged all round with a cord of steel and silk, and a row of steel gimp. A cord, fastening it round the neck, falls on the bodice. Sleeve to correspond. Fig. 19.-Hat of white felt, trimmed with two mauve feathers, and ribbon of the same color, falling behind in two long ends. Dress and paletot of mauve poplin. The paletot is slightly fitting at the back, and loose in front. It is edged round with a thick black cord. The front is trimmed to the waist with equal lengths of cord fastened with a steel button. The sleeve is cut with a seam at the elbow, ornamented at the bottom to correspond with the front. The same cord is placed round the arm-hole, and fastened on the sleeve with three loops. Pockets to match. The skirt is very long, and gored at every width, each seam being trimmed to correspond with the paletot. A thick cord is placed round the bottom: Fig. 20.-Bonnet of coarse straw, edged round with small balls of straw. On the middle of the crown is placed a rose surrounded with lace and fastened with a poinard. White ribbon strings. The casaque made of black silk or velvet, has a | are laid over all; those in the centre of the front part of the scarf crossing at the waist, and fastened with four buckles placed on the shoulder, and on the back, and front of the waist; it is bordered with guipure-a trimming composed of guipure and jet ornaments, the bottom of the sleeves and the fronts of the casaque. Plain dress of white and green silk. Fig. 21.-French gray silk dress, tricamed with three narrow flounces. The top of each flounce is bordered with narrow passementerie or gimp, and large Etruscan ornaments of black lace skirt serving to secure the ends of the flounces, which are not carried entirely round the skirt. High body, with waistband fastened with a large buckle Sleeves trimmed at the top and bottom, with the black lace used to form the Etruscan ornaments on the skirt. Black lace coiffure. Collar and undersleeves of guipure. Fig. 22.-Bonnet of white puffed silk, bordered with light blonde. A brilliant steel star is placed on the centre of the put on the plaits behind; the narrow sleeve is trimmed at the top with loops made of thick cord, and edged, 1 ke the paleto, with the same cord. The dress is made of green silk without any trimming, but edged with a thick cord of the same color. Fig. 23.--Dress of white silk with a narrow mauve stripe on it. The skirt is trimmed at the bottom by a broad band of mauve silk, cut into pointed tabs at the upper edge, which is trimmed by a ruching of the same silk; in the centre of each tab is a rosette of black passementerie, with steel pendants. The top of the body and the sleeves, are of the striped silk, and the lower part is of mauve silk, cut like a low dress body and trimmed with the mauve ruching. On the chest a rosette of passementerie with steel ornament-. THE BRIGHTON, FROM MILLER AND GRANT, Waist-belt of mauve silk, with steel 497 BROADWAY. the crown, which is edged with a pink ribbon ornamented with three smaller stars. The curtain is composed of two loops of pink ribbon, from which de-. 2 THE CARLOTTA, FROM MILLER AND GRANT, 497 BROADWAY. pend two very long ends; strings of pink ribbon. Pardessus of black silk, nearly tight fitting and cut straight in front. A row of four round buttons is THE EUGENIE, FROM MILLER AND GRANT 497 BROADWAY. buckle. The cuffs are edged with mauve ruching. A shawl of fine black lace completes this elegant toilet. Fig. 24-Child's dress of gray delaine, spotted with cerise. The skirt is trimmed by narrow, slanting, fluted bands of the same material, edged with fine cerise braid. Chemisette of white muslin, nd pointed ceinture and bretelles to match the skirt. Fig. 25.-Dress of rich figured silk, blue on a French white ground. Paletot of black silk of the most novel style; it is cut to define the figure at the waist. The front edges and pockets are edged by a narrow guipure lace, and the fronts fasten by buttons and loops. The trimmings are very elegant, and cousist of trefoils of rich passementerie or silk cord, edged with guipure lace, and having in the centre a steel bead, from which falls a fringe or rows of pendants of bright steel. One of these trefoils is placed on each side; two at the back, one on each shoulder and one on each cuff Fig. 26.-Dress of green silk, edged with green cord. Paletot of black silk, having all the edges, the cuffs, the revers, and the pockets trimmed by a rich green silk cord. The revers and the pockets are of green silk, oruamented by an arabesque worked in steel beads. Hat of white straw, trimmed with black velvet and damask roses, and having in front a white tuft fastened with a rich steel ornament. Fig. 27.-Suit or dress and casaque of a new shade of blue silk, called the bleu Imperatrice, trimmed with broad bands of rich guipure lace. At the bottom of the skirt is a flounce of the same silk laid in hollow plaits, and edged top and bottom by a narrow band of white. The back of skirt is partly covered by two large square pieces, which start from the waist and are continued to the bottom of skirt; they are edged all round by the white guipure lace, and are joined together at the upper part by a large pointed tab of blue silk covered by the white guipure. The casaque or short tight-fitting paletot, has the bottom edge trimmed with a flounce to match that on the THE BEL DEMONIO, FROM MILLER AND GRANT, 497 BROADWAY. skirt, but narrower; it is left open at the back as far as the waist, and the edges of the opening are trimmed by the white guipure, which is continued on each side for about nine inches along the bottom, and is then carried upwards so as to imitate a postillion skirt; these guipures are carried over the 5 THE IMPERATRICE, FROM MILLER AED GRANT, 497 BROADWAY. shoulder à bretelles, and are continued down the fronts in the same style as at back. The cuffs are edged by the white guipure lace. Bonnet of white straw, trimmed with white ribbon and convolvulus flowers. Parasol of white silk, bordered with peacock's feathers. |
