The Rhymester: Or, The Rules of Rhyme. A Guide to English Versification. With a Dictionary of Rhymes, an Examination of Classical Measures, and Comments Upon Burlesque, Comic Verse and Song-writingD. Appleton, 1882 - 208 psl. Hervey Allen (1889-1949) was an American author who is perhaps best known for his work Anthony Adverse. Allen taught for a period of time at the Porter Military Academy in Charleston, S.C. and at the Charleston High School. While in Charleston he befriended DuBose Heyward. |
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Rezultatai 1–5 iš 9
39 psl.
... arranged under various terminations , as in Bysshe's work , a terminational dic- tionary of three hundred pages ; a dictionary , that is , in which the words are arranged as in ordinary dic- tionaries , save that the last and not the ...
... arranged under various terminations , as in Bysshe's work , a terminational dic- tionary of three hundred pages ; a dictionary , that is , in which the words are arranged as in ordinary dic- tionaries , save that the last and not the ...
41 psl.
... arrangement by vowel - sounds , and that it gives in to the heresy of allowable rhymes . But it is a useful book for the student . The second is the late Sidney Lanier's Science of English Verse " ( Charles Scribner's Sons , 1880 ) , in ...
... arrangement by vowel - sounds , and that it gives in to the heresy of allowable rhymes . But it is a useful book for the student . The second is the late Sidney Lanier's Science of English Verse " ( Charles Scribner's Sons , 1880 ) , in ...
60 psl.
... arrangement of the rhymes , but has an extra foot in the last line . The two last lines of a stanza from " Childe Harold " will illustrate this : " To mingle with the universe and feel What I can ne'er express , yet can not all conceal ...
... arrangement of the rhymes , but has an extra foot in the last line . The two last lines of a stanza from " Childe Harold " will illustrate this : " To mingle with the universe and feel What I can ne'er express , yet can not all conceal ...
86 psl.
... arrangement of its rhymes must conform to a prescribed pattern , called after Petrarch . Sonnets written in the Petrarchan or Guittonian form are " regular " or correct " ; all others are " irregular " and " incorrect . " A regular ...
... arrangement of its rhymes must conform to a prescribed pattern , called after Petrarch . Sonnets written in the Petrarchan or Guittonian form are " regular " or correct " ; all others are " irregular " and " incorrect . " A regular ...
87 psl.
... arrangement most often adopted by the Italian poets has been to employ a fifth rhyme in the sestet , so that the 9th and 12th lines rhyme to- gether , the 10th and 13th , and the 11th and 14th . Here is an admirable example : " What is ...
... arrangement most often adopted by the Italian poets has been to employ a fifth rhyme in the sestet , so that the 9th and 12th lines rhyme to- gether , the 10th and 13th , and the 11th and 14th . Here is an admirable example : " What is ...
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The Rhymester– Or, the Rules of Rhyme. a Guide to English Versification ... Brander Matthews,Tom Hood Peržiūra negalima - 2018 |
The Rhymester– Or, the Rules of Rhyme. a Guide to English Versification ... Brander Matthews,Tom Hood Peržiūra negalima - 2018 |
The Rhymester– Or, the Rules of Rhyme. a Guide to English Versification ... Brander Matthews,Tom Hood Peržiūra negalima - 2015 |
Pagrindiniai terminai ir frazės
accent Alcaic anapæst Austin Dobson ballade Behold the deeds blank verse burlesque Bysshe cæsura CHAPTER classic Cloth comic verse couplet dactyl decasyllable delight dissyllable edition English verse envoy essay example feet foot forms of verse French give hand-book hexameter Hood iambic Latin lines rhyme Longfellow lyric measure meter night nouns and third o'er orthoëpists pantoum participles of verbs persons singular present plurals of nouns poem poet poetry Pope preceding present of verbs preterites and participles pronounced prose quatrain reader refrain repetition rhymes plural Rhymes the plurals rhymes the preterites rhythm rondeau singular of verbs singular present tense song song-writing sonnet sound spondee stanza style sweet tense of verbs Théodore de Banville third line third persons singular thou thought tion triplet trisyllable trochee unaccented syllables verbs in Ow vers de société versification villanelle vowel words write wrote
Populiarios ištraukos
22 psl. - Christabel is not, properly speaking, irregular, though it may seem so from its being founded on a new principle: namely, that of counting in each line the accents, not the syllables. Though the latter may vary from seven to twelve, yet in each line the accents will be found to be only four.
18 psl. - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
96 psl. - JENNY kissed me when we met, Jumping from the chair she sat in; Time, you thief, who love to get Sweets into your list, put that in! Say I'm weary, say I'm sad, Say that health and wealth have missed me, Say I'm growing old, but add, Jenny kissed me.
17 psl. - whispers through the trees": If crystal streams "with pleasing murmurs creep," The reader's threaten'd (not in vain) with "sleep": Then, at the last and only couplet fraught With some unmeaning thing they call a thought, A needless Alexandrine ends the song, That, like a wounded snake, drags its slow length along.
17 psl. - Though oft the ear the open vowels tire; While expletives their feeble aid do join; And ten low words oft creep in one dull line: While they ring round the same unvaried chimes With sure returns of still expected rhymes: Where'er you find "the cooling western breeze...
26 psl. - Trochee trips from long to short ; From long to long in solemn sort Slow spondee stalks ; strong foot ! yet ill able Ever to come up with Dactyl trisyllable. Iambics march from short to long ; — With a leap and a bound the swift Anapaests throng ; One syllable long, with one short...
18 psl. - True ease in writing comes from art, not chance ; As those move easiest who have learned to dance. 'Tis not enough no harshness gives offence, The sound must seem an echo to the sense : Soft is the strain when zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse rough verse should like the torrent roar.
61 psl. - If aught of oaten stop, or pastoral song, May hope, chaste eve, to soothe thy modest ear, Like thy own solemn springs, Thy springs, and dying gales...
63 psl. - I shall never, in the years remaining, Paint you pictures, no, nor carve you statues, Make you music that should all-express me; So it seems: I stand on my attainment. This of verse alone, one life allows me; Verse and nothing else have I to give you Other heights in other lives, God willing: All the gifts from all the heights, your own, love!
105 psl. - As commonly used, the refrain, or burden, not only is limited to lyric verse, but depends for its impression upon the force of monotone— both in sound and thought. The pleasure is deduced solely from the sense of identity— of repetition. I resolved to diversify, and so heighten the effect, by adhering in general to the monotone of sound, while I continually varied that of thought: that is to say, I determined to produce continuously novel effects, by the variation of the application of the refrain...