LXX. TO MR. AND MRS. GISBORNE, 5 June, 1821 LXXI. TO JOHN GISBORNE, 16 June, 1821 LXXVI. TO MRS. SHELLEY, 7 Aug. 1821. LXXVII. TO MRS. SHELLEY, 8 and 9 Aug. 1821. LXXVIII. To T. L. PEACOCK, probably 10 Aug. 1821 LXXIX. TO MRS. SHELLEY, 11 Aug. 1821 LXXXII. To T. MEDWIN, 22 Aug. 1821 LXXXIII. To LEIGH HUNT, 26 Aug. 1821 LXXXIV. To HORATIO SMITH, 14 Sept. 1821 LXXXV. To LEIGH HUNT, 6 Oct. 1821. LXXXVI. To JOHN GISBORNE, 22 Oct. 1821 LXXXVII. To JOSEPH SEVERN, 29 Nov. 1821 . LXXXVIII. TO LORD BYRON, 13 Dec. 1821 . ILLUSTRATIONS TO VOL. IV. CASA MAGNI, SAN TERENZIO, DRAWN IN WATER-COLOURS CORRECTIONS. VOL. II. Page 160, line 6 from foot.—Insert a comma after found. Page 402, line 12.-Insert catch-figure "1" at end of line; and insert as a foot-note, "Byron's Manfred, Act I, Sc. 1." VOL. III. Page 272, line 6 of left-hand note.-Before Avróç insert Ion. VOL. IV. Page 12, line 2 from foot of left-hand note.-Strike out perhaps. Since writing the note I have come upon Peacock's statement (Fraser's Magazine, June, 1858, page 658): "I remember his absorbed attention to Miss O'Neill's performance of Bianca in Fazio, and it is evident to me that she was always in his thoughts when he drew the character of Beatrice in the Cenci." |