Stages and Playgoers: From Guild Plays to ShakespeareMcGill-Queen's Press - MQUP, 2002 - 241 psl. The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change. By examining a native dramatic tradition not fully explored before, Hill proposes new ways to imagine historical and contemporary performances. Stages and Playgoers will be invaluable for students of cultural studies, medieval and Renaissance studies, theatre history, and stagecraft. |
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psl.
... tradition of direct address has little to do with the frequently touted notion of the " fluidity of the Renaissance stage " : the point is not that stage characters can talk to the audience but that they actually do reach out to the ...
... tradition of direct address has little to do with the frequently touted notion of the " fluidity of the Renaissance stage " : the point is not that stage characters can talk to the audience but that they actually do reach out to the ...
psl.
... tradition of dialogue between stage and audience from medieval , through Tudor , to Jacobean drama . Janet Hill offers new insights into techniques of addressing playgoers from the stage and how they might have oper- ated under ...
... tradition of dialogue between stage and audience from medieval , through Tudor , to Jacobean drama . Janet Hill offers new insights into techniques of addressing playgoers from the stage and how they might have oper- ated under ...
8 psl.
... traditions of audience exchange from earlier drama : the open address of guild plays , which implicates the playgoers in the play , and that of Tudor drama , which , distancing the playgoers , constructs them as audience for performance ...
... traditions of audience exchange from earlier drama : the open address of guild plays , which implicates the playgoers in the play , and that of Tudor drama , which , distancing the playgoers , constructs them as audience for performance ...
10 psl.
... tradition : " As long as the performance of the play is substantially enriched by the potential social significance involved in the actor - audience relation- ship , the full meaning of drama may be defined as an image of the impact of ...
... tradition : " As long as the performance of the play is substantially enriched by the potential social significance involved in the actor - audience relation- ship , the full meaning of drama may be defined as an image of the impact of ...
12 psl.
... traditions of address were played out . Characters on Shakespeare's stage , as I shall show , could and did talk openly to the playgoers , but never stepped out of the play . The nature of the new architecture enforced a profoundly ...
... traditions of address were played out . Characters on Shakespeare's stage , as I shall show , could and did talk openly to the playgoers , but never stepped out of the play . The nature of the new architecture enforced a profoundly ...
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