Stages and Playgoers: From Guild Plays to ShakespeareMcGill-Queen's Press - MQUP, 2002 - 241 psl. The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change. By examining a native dramatic tradition not fully explored before, Hill proposes new ways to imagine historical and contemporary performances. Stages and Playgoers will be invaluable for students of cultural studies, medieval and Renaissance studies, theatre history, and stagecraft. |
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6 psl.
... players , but what we learn from them about medieval practices and responses is much more problematic . In chapter 1 , I examine the strategies used in acknowledging playgoers from medieval stages - not a new topic . What is innova ...
... players , but what we learn from them about medieval practices and responses is much more problematic . In chapter 1 , I examine the strategies used in acknowledging playgoers from medieval stages - not a new topic . What is innova ...
9 psl.
... canon . More recent works have also provided evidence about this period in drama : John Cold- ewey , on small local productions and the practices of travelling players ; Ian Lancashire , on the types of plays Introduction.
... canon . More recent works have also provided evidence about this period in drama : John Cold- ewey , on small local productions and the practices of travelling players ; Ian Lancashire , on the types of plays Introduction.
10 psl.
... players and their playing techniques , various playhouses ' architecture , their stages , props , and costumes , as well as the behaviour , class , attitudes , and general com- position of audiences – in short , great and small details ...
... players and their playing techniques , various playhouses ' architecture , their stages , props , and costumes , as well as the behaviour , class , attitudes , and general com- position of audiences – in short , great and small details ...
11 psl.
... players , address , and so on . All the critics who have most influenced the book draw on what is tangible . They have in common an insistence on the importance to drama of the physical , the concrete ; of play- goers ' actuality , of ...
... players , address , and so on . All the critics who have most influenced the book draw on what is tangible . They have in common an insistence on the importance to drama of the physical , the concrete ; of play- goers ' actuality , of ...
25 psl.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
Atsiprašome, šio puslapio turinio peržiūra yra ribojama.
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Abraham action actors audi audience audience's Bevington biblical Blackfriars Cain Cambridge University Press characters Chester Christ close comic companies contemporary Corpus Christi costumes court Coventry crowds Cymbeline David Bevington devil early Elizabethan ence England English Drama episode Falstaff figure fool Fulgens and Lucrece galleries goers Gower guild drama guild plays Gurr Hamlet Hattaway heaven Hell Henry Herod Imogen impresario Interludes Jachimo James Burbage John kill king King Lear Lear listeners lives loca London look Lord medieval drama Medieval Theatre modern morality plays N-Town never no-one Noah nonce plays open address openly Pandarus performance platea play's players playgoers Playgoing playing space playworld playwrights Posthumus present Prologue Prospero public playhouses Renaissance Drama Richard romance scaffold servant Shakespeare shepherds soliloquies speaks spectators speech story strategies talk tapster tell theatre theatrical thou tion Towneley Towneley's towns tradition Tudor Twycross Tydeman watching Weimann words York York's þat