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The Foreign Loans

By H. V. CANN

HERE might have been no war if European governments and diplomats could have foreseen how great and permanent would be the material gains in America from the waste in Europe.

The new conditions have transferred across the Atlantic an enormous amount of wealth, and rapidly created in the United States enough surplus capital to place its bankers in the forefront of the world's international money-lenders.

Since the autumn of 1914 loans aggregating nearly seventeen hundred million dollars have been negotiated here by European governments, syndicates of bankers, Latin-American countries, the Dominion of Canada, and a number of its provinces and municipalities. These loans were made in various forms; on secured and unsecured bonds, special credits, and short-term notes. A few were current less than one year, but the usual terms were from one to five years, excepting several issues of municipal bonds.

The largest debtor is the United Kingdom, with France a close second, followed, in the order of indebtedness, by Canada, Russia, Argentina, Italy, Germany, Switzerland, Yucatan, Norway, Greece, Chile, Sweden, Panama, Bolivia, and Uruguay.

A broad public market for foreign securities has not yet developed here, but a certain volume of trading is carried on, and prices of the leading issues are published daily. It is probable that in time. the flotation of foreign loans will become a matter of course, and then underwriters will reach a larger market among private investors. Great blocks of Anglo-French bonds were taken by two industrial corporations engaged in the manufacture of war-supplies. One of these companies originated an able policy by distributing the bonds to shareholders in lieu of cash dividends.

Probably not more than two thirds of
the whole seventeen hundred millions was
outstanding at any one time, as a number
of the shorter loans have already been
liquidated. Ninety per cent. of the
amount current will mature and likely re-
quire long-term refunding within the next
five years.

In nearly every case where loans were
granted to neutral borrowers they had
turned to this market for the reason that
old connections in Europe were no longer
in a position to supply the need. The
time was most opportune for America;
with its new banking system, greatly in-
creased fluid capital, and expanding in-
dustries, at least temporary leadership in
exports and foreign loans was easily as-
sumed. These terms are almost synony-
mous, for it is the common experience of
all creditor nations that borrowers coming
from other countries want goods, not
money. If the goods are not produced in
the country to which the borrower applies,
but must be purchased in a third country,
the problem is the same, with an additional
angle. The source of foreign loans is al-
ways traceable to exports of goods, no
matter how indirect and unrelated trans-
actions may appear. This elementary fact
is very clearly illustrated by statistics of
American banking and exports for the last
two years. A glance at these will show a
great foreign loan account built up with-
out sending money abroad. Late in 1914,
before any of the seventeen hundred mil-
lions had been loaned, the gold holdings
in the United States amounted to $1,835,-
000,000. Now, after making the loans,
besides paying several billions for things.
imported and buying back American se-
curities, the gold stock stands at $2,548,-
000,000, or an increase of more than seven
hundred million dollars. Had the loans
been made in money, virtually no gold
would be left in the country. On the

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the assurance with a smile. What! Louis! so simple, kindly, natural; so all-round a good fellow; so like all the rest of us, only nicer!

And I am quite sure that in his inmost heart at this period he could never really have looked forward to or expected the fame which later came to him, and which grows and expands as time gives us the perspective wherewith to view it in all its roundness and bigness and essential simplicity. In fact, in introducing himself to me, he remarked simply that he was "a writer-chap," or hoped to be one.

I was told of another rainy afternoon "blague party," at which I did not chance to be present, during which Bob Stevenson amused himself by forecasting the future careers of those present. When he came to his cousin he remarked with a satirical little smile: "There sits Louis, as smug and complacent as any old type de bourgeois. I have not the least doubt that he fondly imagines that one of these days. they will be publishing all of his dinky, private correspondence-'the letters of R. L. S.'-in boards." And Louis joined as heartily as any one in the laugh which the sally raised. Bob, at least, did live to see the publication of the "Vailima Letters," and I have often wondered if he remembered this little incident as he thumbed their leaves.

But I would not give the impression. that the artist colony of Grez during that memorable summer was wholly masculine in its make-up, for this was far indeed from being the case, and most of the unforgetable dramatic quality of the place. and the time would have been lacking but for the presence of a very fair proportion of the female element. There was a certain return to primitive standards in the relation between the sexes, but primitive standards, nevertheless, in which honor and a regard for the square deal held a high place. In matters of morals Stevenson himself was the least censorious of judges, providing there was no infringement of the law of nature or the law of friendship; though perhaps it would be truer to say that he entered no judgment

either for or against the accused, pre-
ferring to leave the decision in such mat-
ters to the Maker of all laws.

But if he heard of anything mean or
underhand, any tricky blow beneath the
belt, he was a very firebrand, flaming with
a fury which nothing could quell. I re-
member one case in which he forced two
very unwilling opponents to accept a duel
as the only possible solution of an en-
tanglement involving an unmanly act on
the part of one of the pair. Fortunately
the duel was never fought, the chief of-
fender considering discretion the better
part of valor and deciding that the woods
about Barbison at that particular season of
the year offered better material for the
painter than the river at Grez.

I would not, however, by any means
have it understood that there was in the
colony no sense of decency or morality in
the ordinary acceptance of those terms, for
that would be a misstatement as manifestly
unfair and untrue as to claim a standard
of rigid puritanism for the whole region.
If there was a fair sprinkling of the gri-
sette and the model element, which had
followed the painters down from Paris,
there were also a certain number of very
serious women-painters who were study-
ing hard, and some of whom were destined
to make an enviable place for themselves
later on.
Among these I may mention
Mlles. Loestadt and Lilienthal, Swedish
painters of genuine talent, and more par-
ticularly the lady "Trusty, dusky, vivid,
and true" to whom Robert Louis Steven-
son inscribed the most beautiful love-song
of our time, and who later on was destined
to become his wife. Mrs. Osbourne could
not at the time have been more than
thirty-five years of age, a grave and re-
markable type of womanhood, with eyes.
of a depth and a somber beauty which I
have never seen equaled-eyes, neverthe-
less, that upon occasion could sparkle with
humor and brim over with laughter. Yet
upon the whole Mrs. Osbourne impressed
me as first of all a woman of profound
character and serious judgment,
who
could, if occasion called, have been the
leader in some great movement. But she

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belonged to the quattrocento rather than to the end of the nineteenth century. Had she been born a Medici, she would have held rank as one of the remarkable women of all time.

That she was a woman of intellectual attainments is proved by the fact that she was already a magazine writer of recognized ability, and that at the moment when Stevenson first came into her life she was making a living for herself and her two children with her pen. But this, after all, is a more or less ordinary accomplishment, and Mrs. Osbourne was in no sense ordinary. Indeed, she was gifted with a mysterious sort of over-intelligence which is almost impossible to describe, but which impressed itself upon every one who came within the radius of her influence. Napoleon had much of this; likewise his arch-enemy the great Duke of Wellington; and among women Catharine of Russia and perhaps Elizabeth of England. She was therefore both physically and mentally the very antithesis of the gay, hilarious, open-minded, and open-hearted Stevenson, and for that very reason, perhaps, the woman in all the world best fitted to be his life-comrade and helpmate. At any rate, we may well ask ourselves if anywhere else he would have found the kind of understanding and devotion which she gave him from the day of their first meeting at Grez until the day of his death. in far-away Samoa; if anywhere else there was a woman of equal attainments who would willingly, nay, gladly, throw aside all of the pleasures and comforts of civilization to live among savages, and the still rougher whites of the South Pacific, in order that her husband might have just a little more oxygen for his failing lungs, a little more chance for a respite and an extension of his shortening years? Probably no one ever better deserved than she the noble tribute of verse which her husband gave her, and from which I have quoted the opening line.

Both she and her daughter Isobel had been studying art in Paris through the winter, and had joined the regular AngloSaxon migration to Grez in the early sum

mer. The latter, then a bewitching girl
of seventeen, later became widely known
as Mrs. Strong, Stevenson's amanuensis
and biographer.

The last time that I ever saw Stevenson
was a year or two later and in semi-tragic
circumstances. The Osbournes had re-
turned to their native California, whither
Stevenson had journeyed some little time
later as "An Amateur Immigrant," and
where he had lived for a space as "The
Silverado Squatter." In the early spring
of the following year, however, he and
Mrs. Stevenson returned once more to
their old haunts about the forest of Fon-
tainebleau. In the meantime I had been
to Italy, whence I had just brought back
to Paris the usual six-by-ten-foot Salon
canvas. Having seen this precious work
of art duly delivered at the doors of the
Palais de l'Industrie, I hastened to join
the gay and care-free cavalcade which at
that season always makes for the woods,
generally toward Barbison or Fontaine-
bleau. This time our own band of half
a dozen, including my brother Alexander
Harrison, the marine-painter, and Ruger
Donoho, the landscape-man, were headed
for Barbison and the Pension Siron, where
we arrived late one evening, only to be in-
formed that all sleeping accommodations
were taken, and that the best we might
expect was a row of cots in the bare loft
of the annex, on the opposite side of the
village street. This was no hardship, how-
ever, and as an excellent late souper was
soon steaming on the table, we accepted
the situation gaily enough, smoking a pipe
after supper in the still aisles of the forest
before retiring for the night.

It was only at the very earliest peep of
dawn that the disadvantages of our com-
munal sleeping-apartment became appar-
ent. One of our party woke between
three and four o'clock A.M., and, after
lying with open eyes for half an hour or
so, decided that this sort of thing was not
fair play. Whereupon he rose silently,
seized a pillow, and moving from cot to
cot, delivered to the occupant of each an
impartial and sounding thwack.

Instantly there was pandemonium in

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that attic, and a pillow-fight of unusual proportions immediately developed. As is usual on such occasions, sides were soon formed, and one side quickly demonstrated its superiority over the other, the defeated party being driven gradually down three flights of stairs, and up the village street from end to end. Finally, overcome with laughter and with the unwontedly early exercise, the combatants called a truce, and returned amicably to their night's quarters in search of more ample raiment, for the early morning air from the forest was chill, and nightgowns and pajamas afforded but meager protection. Having clothed ourselves at leisure we strolled across the street to the common salle à manger for the matutinal rolls and coffee. The first man whom I met in the courtyard was Stevenson, who, I thought, looked rather hollow-eyed and weary. It appeared that he and Mrs. Stevenson had passed the night in the chamber directly

beneath the one occupied by our hilarious band. The early morning bombardment to which they had been subjected can therefore be readily imagined.

"I had forgotten, Harrison," he said, with a wan smile, "that we were ever such reptiles."

With the unfailing instinct of the true artist Stevenson made a mental note of this incident, and he used it later in one of the most interesting chapters of "The Wrecker."

The duration of the Stevensons' stay in France during this, their last visit to the Old World, was comparatively short, and before many weeks they had returned once more to San Francisco, and thence to the South Seas and Samoa. Some years later chance sent me also to the South Pacific, but several attempts to arrange a meeting were unsuccessful. The Fates were against me, and I never saw Stevenson again.

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I

Nothing but Uppers To-night

By FREDERICK LEWIS ALLEN

REVEL in sleeping-cars. I like to think of the original Mr. Pullman, or whoever it was whose mind first conceived the modern sleeping-car, as a philanthropist, a missionary who had a vision of the joy of life, and labored to bring it into our prosy existence. He looked upon his fellow-men, and found them civilized. Because some savage, gloriously dirty, had had the temerity to take a bath and had relished the sensation of cleanliness, cleanliness had become a convention of our century. Because another savage, a little later, had encircled his neck with a starched collar and had enjoyed the esteem which this invention drew from the collarless plebeians, he found the people of our enlightened age slaves to collars and all that collars stand for.

Now, he knew in his heart that his friend Jones would once in a while like to dispense with shaving, let his hair grow, and march to his office, unbathed, in his pajamas. Instead of satisfying this human craving for change in such a pleasantly normal way, Jones waited for his two-weeks' vacation, and then hied himself to the woods, where, with fishing or hunting or communion with nature as a pretext, he could be dirty and uncivilized to his heart's content.

But vacations, reasoned Mr. Pullman, are fleeting. And then he slapped his thigh and cried, "Eureka!

"I shall conventionalize discomfort," he said. "Everybody has to travel by night sometimes; Jones often does. I shall de

vise a form of travel utterly uncomfortable and barbarian. I shall invent a car in which there are no beds, but shelves reached only by a step-ladder or gymnastics. In it there shall be a wash-room in which washing is a difficult adventure and shaving a gamble with death. I shall man it with porters who leave the lights on and waken one at the wrong stations; I shall have the whole car in constant vibration, and shaken up like a medicinebottle once every hour; sleep will thus become as impossible as it is to the camperout on his bed of pointed balsam-twigs. When the traveler arrives at his destination he will feel as if he had n't slept or washed or consorted with the civilized for a fortnight. He will sing in his bath once more, and put on his starched collar with a thankful heart."

So Mr. Pullman drew his plans; and he looked upon the car of his making, and it was uncomfortable.

Those who travel in sleeping-cars may be divided into two classes: people with foresight and people without it. The former engage their accommodations two days in advance and are assigned lower berths, which have, for those resigned to wakefulness, a view. Members of this class tell me that to raise one's head from the pillow and see the moonlit country fly by, or to pass a train-yard and see the locomotives tossing their plumes of steam against the blackness of the sky, or to follow the progress of the dawn in an endlessly varying motion-picture, is a joy so

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