Seeming Knowledge: Shakespeare and Skeptical FaithBaylor University Press, 2007 - 348 psl. Seeming Knowledge revisits the question of Shakespeare and religion by focusing on the conjunction of faith and skepticism in his writing. Cox argues that the relationship between faith and skepticism is not an invented conjunction. The recognition of the history of faith and skepticism in the sixteenth century illuminates a tradition that Shakespeare inherited and represented more subtly and effectively than any other writer of his generation. |
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154 psl.
... prayer knows the out- come of the battle , it seems to be a self - evident and uncomplicated example of God answering prayer positively : Shakespeare wrote a prayer for Henry that the playwright knew would be answered in Henry's favor ...
... prayer knows the out- come of the battle , it seems to be a self - evident and uncomplicated example of God answering prayer positively : Shakespeare wrote a prayer for Henry that the playwright knew would be answered in Henry's favor ...
156 psl.
... prayer is that it invites skepticism about all prayer . As Stanley Cavell remarks in another context , " the problem with prayers is not that few are answered but that all are , one way or the other . " 48 Cavell seems to read prayer ...
... prayer is that it invites skepticism about all prayer . As Stanley Cavell remarks in another context , " the problem with prayers is not that few are answered but that all are , one way or the other . " 48 Cavell seems to read prayer ...
157 psl.
... prayer is clarified by the thoughts of another Shakespearean king , penned very shortly after Henry V. This king is Claudius in Hamlet ( 1599-1601 ) , whose lines function virtually as a commentary on the prayer in Henry V , in that ...
... prayer is clarified by the thoughts of another Shakespearean king , penned very shortly after Henry V. This king is Claudius in Hamlet ( 1599-1601 ) , whose lines function virtually as a commentary on the prayer in Henry V , in that ...
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acknowledges action allusions Antony appears argues asserts beginning believe biblical Caesar called Cambridge century chapter characters Christian claim clear clearly closely comedy common concerned contrast Coriolanus critical death Descartes describes drama Duke early Edited effect Elizabethan emphasizes England English English Studies Erasmus Errors Essays evident example faith father forgiveness gives Hamlet Henry Henry VI history plays hope human imagines important influence John Juliet kind King King Lear learned less London Machiavelli means Measure mind Montaigne moral nature never offers origin Oxford parallel particular Pascal Pericles play's political possibility prayer Princeton problem question reading reason recognize refers Reformation religious response rhetorical Richard Roman Romeo says scene seems self-deception sense Shakespeare skepticism social soliloquy stage stoic story succession suffering suggests suspicion thing thinking thought tion Titus traditional tragedy true turn University Press virtue York