Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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40 psl.
... whole of the Devil's discourse is shot through with intertextual allusion to earlier themes28 and , as we shall see in the next chapter , draws on the variety of ways in which the diabolical is imagined in the whole course of the novel ...
... whole of the Devil's discourse is shot through with intertextual allusion to earlier themes28 and , as we shall see in the next chapter , draws on the variety of ways in which the diabolical is imagined in the whole course of the novel ...
54 psl.
... whole of nature and all its laws " [ 447 ] ) . As commentators have noted , his perception is like Kirill- ov's agonized picture in Devils of the three crosses , on one of which hung the supreme example of human goodness : " if the laws ...
... whole of nature and all its laws " [ 447 ] ) . As commentators have noted , his perception is like Kirill- ov's agonized picture in Devils of the three crosses , on one of which hung the supreme example of human goodness : " if the laws ...
266 psl.
... whole of the universe . I used to feel I was connected to God like that , and because he was there , I was connected to the whole of his creation . But if he's not there , then ... " ( 471 ) . The chapters that follow attempt to suggest ...
... whole of the universe . I used to feel I was connected to God like that , and because he was there , I was connected to the whole of his creation . But if he's not there , then ... " ( 471 ) . The chapters that follow attempt to suggest ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima