Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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Rezultatai 1–3 iš 44
14 psl.
... vision of Old Russia . It was part of what linked him with the monastery at Optina and the thinking that had developed there and among some of the literary and intellectual friends of the monks . Certainly for him the Russianness of ...
... vision of Old Russia . It was part of what linked him with the monastery at Optina and the thinking that had developed there and among some of the literary and intellectual friends of the monks . Certainly for him the Russianness of ...
49 psl.
... vision , as we have already observed . Significantly , the Prince quotes [ 265 ] from the Revelation of John in the New Testament the phrase " time will be no more " ( Rev 10 : 6 ; modern versions tend to translate , " There will be no ...
... vision , as we have already observed . Significantly , the Prince quotes [ 265 ] from the Revelation of John in the New Testament the phrase " time will be no more " ( Rev 10 : 6 ; modern versions tend to translate , " There will be no ...
70 psl.
... vision of the world as morally indifferent , so that sadistic cruelty is on a par with any other behavior , and a vision of the self as condemned to unqualified humiliation , pain , and rejection because of its accep- tance of this ...
... vision of the world as morally indifferent , so that sadistic cruelty is on a par with any other behavior , and a vision of the self as condemned to unqualified humiliation , pain , and rejection because of its accep- tance of this ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima