Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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153 psl.
... responsibility not just for sharing his suffering but for getting him to take responsibility as a criminal and act ... taking of responsibility for the other that emerges already in this novel as a major theme involves the ...
... responsibility not just for sharing his suffering but for getting him to take responsibility as a criminal and act ... taking of responsibility for the other that emerges already in this novel as a major theme involves the ...
165 psl.
... responsibility . Markel speaks of taking responsibility for sins and crimes as well , not only one's own generic failure to see but the specific outrages of human sinners . This is where the conversation with the Mysterious Visitor ...
... responsibility . Markel speaks of taking responsibility for sins and crimes as well , not only one's own generic failure to see but the specific outrages of human sinners . This is where the conversation with the Mysterious Visitor ...
171 psl.
... taking responsibility is assimilated in Dostoevsky to the acknowledg- ing of the dignity of every other . Returning for a moment to Raskol- nikov , we can see why the taking of Lizaveta's cross signifies a first step in ethical change ...
... taking responsibility is assimilated in Dostoevsky to the acknowledg- ing of the dignity of every other . Returning for a moment to Raskol- nikov , we can see why the taking of Lizaveta's cross signifies a first step in ethical change ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death decision demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya noted novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin Stepan Trofimovich story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision words Zosima