Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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76 psl.
... story of grace can be a story about some sustained physical engagement no less than a story about compassion between persons . Dostoevsky might not have been quick to agree , but you could read something like the narrative of Levin's ...
... story of grace can be a story about some sustained physical engagement no less than a story about compassion between persons . Dostoevsky might not have been quick to agree , but you could read something like the narrative of Levin's ...
118 psl.
... story . Since he is constantly talking to himself that is how most of the story is told the appearance of the Double is at one level not surprising . Golyadkin manages his anxiety by a stream of would - be reassuring discourse ...
... story . Since he is constantly talking to himself that is how most of the story is told the appearance of the Double is at one level not surprising . Golyadkin manages his anxiety by a stream of would - be reassuring discourse ...
162 psl.
... story of the Mysterious Visitor has to follow . Thus far , just as the first episode of these reminiscences risked getting stuck in a sentimental Victo- rian deathbed piety , so the story of a conversion leading to a monastic vocation ...
... story of the Mysterious Visitor has to follow . Thus far , just as the first episode of these reminiscences risked getting stuck in a sentimental Victo- rian deathbed piety , so the story of a conversion leading to a monastic vocation ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima