Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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66 psl.
... sort of thing regularly condemned by the mainstream of Eastern monastic literature as excessive and individualistic , and , quite simply , it is clear that he is seriously mentally disturbed . His illiteracy is made plain in this first ...
... sort of thing regularly condemned by the mainstream of Eastern monastic literature as excessive and individualistic , and , quite simply , it is clear that he is seriously mentally disturbed . His illiteracy is made plain in this first ...
75 psl.
... sort of complic- ity he might have in the boy's humiliation and violence , even to ask about what he later explores with Lise , [ 281-84 ] , the ways in which kindness itself humiliates . He has discovered the material costs of risk ...
... sort of complic- ity he might have in the boy's humiliation and violence , even to ask about what he later explores with Lise , [ 281-84 ] , the ways in which kindness itself humiliates . He has discovered the material costs of risk ...
147 psl.
... sort of aura of uncertainty . Morson suggest , intriguingly , that all this entails a sort of theo- logical underpinning significantly at odds with orthodox ( not to men- tion Orthodox ) thinking . " The God who foreknows all - God the ...
... sort of aura of uncertainty . Morson suggest , intriguingly , that all this entails a sort of theo- logical underpinning significantly at odds with orthodox ( not to men- tion Orthodox ) thinking . " The God who foreknows all - God the ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death decision demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes Evdokimov evsky's fact faith father Ferapont final freedom Fyodor Gary Saul Morson God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya noted novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov someone Sonya sort speak spiritual Stavrogin Stepan Trofimovich story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground Vaudeville Verkhovensky vision words Zosima