Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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6 psl.
... sense that the persons of the fic- tion are caught in incongruities they do not themselves see or under stand . We cannot expect an outcome that will " vindicate " any point of view ; the novelist does not seek to depict or to stand in ...
... sense that the persons of the fic- tion are caught in incongruities they do not themselves see or under stand . We cannot expect an outcome that will " vindicate " any point of view ; the novelist does not seek to depict or to stand in ...
43 psl.
... sense that he negates ( however reluctantly ) the strategies we devise to take our selves out of time - out of narrative , it is tempting to say . To settle for " the truth " in the sense of that ensemble of finished propositions we can ...
... sense that he negates ( however reluctantly ) the strategies we devise to take our selves out of time - out of narrative , it is tempting to say . To settle for " the truth " in the sense of that ensemble of finished propositions we can ...
125 psl.
... sense of not being there to be made sense of by and with others . This , incidentally , is why it is important not to misunderstand Evdo- kimov's remark about the holy figures in the novels as " faces on the wall , " like icons in the ...
... sense of not being there to be made sense of by and with others . This , incidentally , is why it is important not to misunderstand Evdo- kimov's remark about the holy figures in the novels as " faces on the wall , " like icons in the ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
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Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima