Dostoevsky: Language, Faith and FictionBaylor University Press, 2008 - 290 psl. Rowan Williams explores the intricacies of speech, fiction, metaphor, and iconography in the works of one of literature's most complex, and most complexly misunderstood, authors. Williams' investigation focuses on the four major novels of Dostoevsky's maturity (Crime and Punishment, The Idiot, Devils, and The Brothers Karamozov). He argues that understanding Dostoevsky's style and goals as a writer of fiction is inseparable from understanding his religious commitments. Any reader who enters the rich and insightful world of Williams' Dostoevsky will emerge a more thoughtful and appreciative reader for it. |
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Rezultatai 1–3 iš 64
39 psl.
... seen and valued as such , not as aspects of a supposed harmony ; allow them to be seen in the light of an imagined whole , and they become derealized which is an intolerable outrage where the nightmare sufferings of children are ...
... seen and valued as such , not as aspects of a supposed harmony ; allow them to be seen in the light of an imagined whole , and they become derealized which is an intolerable outrage where the nightmare sufferings of children are ...
126 psl.
... seen " ; they may not be major agents in the plot as we should normally understand it , 22 but they both choose strategies of vulnerabil- ity in their communication - Tikhon by his admission of weakness and insensitivity and his request ...
... seen " ; they may not be major agents in the plot as we should normally understand it , 22 but they both choose strategies of vulnerabil- ity in their communication - Tikhon by his admission of weakness and insensitivity and his request ...
225 psl.
... seen some reason to emphasize in his treatment the particularity of what holiness means . Despite the lyrical cosmic spirituality of Markel and his brother , and of Alyosha after his dream , the sacred cannot be reduced in these ...
... seen some reason to emphasize in his treatment the particularity of what holiness means . Despite the lyrical cosmic spirituality of Markel and his brother , and of Alyosha after his dream , the sacred cannot be reduced in these ...
Turinys
Introduction I | 14 |
Being toward Death | 63 |
The Last Word? Dialogue and Recognition III | 111 |
Autorių teisės | |
Nerodoma skirsnių: 5
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
acceptance actual Alyosha Alyosha Karamazov atheism Bakhtin becomes believe biblical Brothers Karamazov chap chapter character Christ Christian claim commitment confession context Crime and Punishment death demonic Devil diabolical dialogue discussion divine Dosto Dostoevsky Dostoevsky's fiction Dostoevsky's Poetics echoes essay Evdokimov evsky's fact faith father Ferapont freedom Fyodor Fyodor Dostoevsky God's holy human icon Idiot imagination incarnate Inquisitor Ivan Ivan Karamazov Ivan's Karamazov kind Kirillov language Leatherbarrow Lizaveta means Mitya moral murder Myshkin narrative narrator Nastasya novel novelist Orthodox Paissy person possible presented Problems of Dostoevsky's Pyotr question radical Raskolnikov reader reality reconciliation refusal relation religious Rogozhin Rowan Williams Russian seen Semiosphere sense Shatov significant simply Smerdyakov Solovyov someone Sonya sort spiritual Stavrogin story suffering suicide taking responsibility theme theological things Tikhon Tikhon of Zadonsk tion truth Underground University Press Vaudeville Verkhovensky vision Vladimir Lossky words Writer's Diary Zosima